Jump to content

Don't Miss a Beat

Join the UK's most passionate festival community. Keep up with the latest conversations, line-up rumours, and music news.

250,000+ Members

Connect with a massive network of fellow festival-goers.

Lively Discussions

Thousands of active topics on music, campsites, and tips.

Hot Rumours & News

Hear about secret sets and lineup drops before anyone else.

Create Free Account
OR
  • Sign Up!

    Join our friendly community of music lovers and be part of the fun 😎

2019 Headliners


rzwodezwo

Recommended Posts

41 minutes ago, CaledonianGonzo said:

It shouldn't be possible, but one time I saw The Strokes and by about a third of the way through the gig every single one of them had fallen asleep.

Although you jest Casablancas did end up having a lie down under the drum riser for a couple of tunes at T in the Park 2004.

Link to comment
Share on other sites

32 minutes ago, Anarion said:

Is This It was a masterpiece, as The Nal so succinctly noted, but everyone who has spent more than five minutes on The Strokes know that Room On Fire is their best record.

Nothing the strokes have released is close to a Masterpiece to be quite honest. 

Link to comment
Share on other sites

1 minute ago, Xeph1995 said:

Nothing the strokes have released is close to a Masterpiece to be quite honest.

I think people must have forgotten all the crap nu-metal and post grunge crap we had to endure before The Strokes saved rock with Is This It.

It instantly changed mainstream music in both the US and the UK, and went on to influence many great bands. It's possible to discuss if it's a masterpiece or not, but its position in music history can't be denied.

 

 

Link to comment
Share on other sites

3 minutes ago, Anarion said:

I think people must have forgotten all the crap nu-metal and post grunge crap we had to endure before The Strokes saved rock with Is This It.

It instantly changed mainstream music in both the US and the UK, and went on to influence many great bands. It's possible to discuss if it's a masterpiece or not, but its position in music history can't be denied.

 

 

Absolutely. Even if they aren't the best at what they do, they influenced a lot of bands in to doing it better. 

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

Loading...
  • Recently Browsing   0 members

    • No registered users viewing this page.

  • Latest Activity

    • Me too.  Reckon they must have more this year.   Not bad is it - ended up paying same price as this year.  It still represents great value for me.  Well, until I check my bank account the Monday after the weekend.
    • Well mayors have more powers to do that sh*t...but they have to make the numbers add up.
    • We'll see. Bristol and Leeds are both massively overdue big public transport investment - 2 of the cities with the worst transport infrastructure per capita in Western Europe. If this works to help support investment projects great and fair play to Burnham.
    • The Bródy Day was his idea because Sziget has always been late when it comes to this kind of concert. They would only organize farewell performances or tribute shows after an artist had passed away. Since Bródy is one of the country's greatest singer-songwriters, they wanted to honor him while he is still alive. (He didn't say it exactly like that, but the man is 80 and has just stopped playing large concerts.) He never understood why anyone would focus exclusively on one generation, especially Gen Z, who have less disposable income, drink less, and are, in his words, "afraid of partying." He explained that in the past, people loved festivals because of the nonstop partying, whereas many younger people today find that experience overwhelming or exhausting. That's one of the reasons why Sziget will introduce more chill zones and sensory-friendly spaces. They also want to attract older generations, who are generally more willing and able to spend money. The Sziget Icons days are aimed at this audience, and in the future they hope to create a more balanced lineup that appeals to people over 35 as well.   It was a long interview. If anything else comes to mind, I'll share it.
  • Featured Products

  • Hot Topics

  • Latest Tourdates

×
×
  • Create New...