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Radiohead touring in 2016


Redwinevino

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1 hour ago, stuartbert two hats said:

Has anyone heard King of Limbs on vinyl?  I thought the digital versions lacked dynamic range, the waveforms were all maxed, with clipping.

I've got TKOL on vinyl but as it's not an album I listen to much I can't say I've ever noticed the sound difference, I might give it a spin and compare tonight and report back

Edited by sloseph
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28 minutes ago, stuartbert two hats said:

I was surprised by how clippy In Rainbows stuff sounded.  I can do all the waveforms if anyone is interested?  I guessed not otherwise I would have done it earlier ;)

Make it so.

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6 minutes ago, maelzoid said:

This is a useful website

http://dr.loudness-war.info/

Though I haven't yet found any info on their grading criteria.

 

It is.  So listen to King Of Limbs Live From The Basement is the lesson.  I'm quite pleased they agree with my ears - as far as dynamic range on Radiohead records goes, it doesn't get worse (DR min) than KOL at its worst.

And apart from Itch (which I've not heard), it doesn't get better than SuperCollider/The Butcher.  

http://dr.loudness-war.info/album/list?artist=radiohead&album=

EDIT: Just noticed I might be wrong also has more range than Supercollider.  Seems like live recording generally do.  Which isn't surprising if you think about it.

Edited by stuartbert two hats
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Sorry, but to some of us who value fidelity in music, the scourge of the loudness war is the single most insidious development in the history of recorded music.

I have found albums utterly unlistenable due to this problem, and started noticing it long before I had even heard of the loudness war (Californication and One by One by Foo Fighters being two examples).  Some artists seem to be blighted more than others, eg Metallica and Oasis. The Killers may well be an awesome band, but I'll never know because I haven't managed yet to sit through a whole album of theirs due to the horrendously smushed up sound.

It distresses me that artists aren't being more proactive about it.

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While we're on the loudness war, I stumbled across an internet person calling themselves 'brickwallhater' who takes loud albums and remasters them using some anti-loud algorithm and posts the results to the usual illicit file-sharing sites.  I'm not sure if he's done any Radiohead but worth a search on the 'bay' and similar, if you're so inclined.

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5 hours ago, stuartbert two hats said:

I wish someone would do a really authentic Nick Drake covers band to tour his music.  As far as I'm concerned, it's as important as Beethoven or Mozart and needs to be played live.  It's not as if the recordings are full of studio trickery.

I suspect the problem would always be in finding a singer.

Keith James tours The Songs of Nick Drake fairly regularly. He's not perfect but he's pretty good.

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5 minutes ago, Scruffylovemonster said:

Oh I fully agree with you, I was just being facetious. I'm not sure on all the technicalities but I came aware of the "turn it up" campaign many years ago through various CDs I had. I understood it was certain producers at fault, rather than the bands. (Although obviously if a band always use the same producers..)

It's not necessarily the producers, but the mastering engineers who are often brought in after the album has been recorded and mixed. Many older albums that were initially mastered well get re-mastered and then brickwalled at that stage. So it's kind of hard to tell who is to blame.

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