Jump to content

Don't Miss a Beat

Join the UK's most passionate festival community. Keep up with the latest conversations, line-up rumours, and music news.

250,000+ Members

Connect with a massive network of fellow festival-goers.

Lively Discussions

Thousands of active topics on music, campsites, and tips.

Hot Rumours & News

Hear about secret sets and lineup drops before anyone else.

Create Free Account
OR
  • Sign Up!

    Join our friendly community of music lovers and be part of the fun 😎

2025 Headliners


Guest

Recommended Posts

3 minutes ago, WhoOdyssey said:

Physicals for Fred’s album aren’t out until November. It could easy reach a new peak then, and probably would’ve been a #1 if combined with his opening streaming numbers.

A fair point. Physicals drop next week for the last BMTH record, which will likely help it hit a new peak. Was surprised it tanked as low as it did off streaming alone when the tour in the winter went like hot cakes.

Link to comment
Share on other sites

16 hours ago, Ben7amin_ said:

My Theory is that after Elton John and the we will not get out the chairs no matter how big a crowd issues.

 

the Bookers pick acts that they think the (I will not listen to any music recorded after 2008 and the Picnic Blanket brigade) will hate to try and push them onto other stages - for that reason I do not think acts like Sterophonics will even be considered for sub Headliner anymore - This is just a theory 

Stereophonics weren't been accepting a non pyramid headline slot at glasto and i assume they have stopped trying to get them

 

They could definitely do pyramid sub still - helped massively by the fact they haven't been at the farm for a long time

Link to comment
Share on other sites

I honestly didn't expect Carpenter to break out like she has. But I also don't know if she'll ascend above arena status.

 

Roan meanwhile looks like she could, but the toll she says fame has taken on her life suggests to me that she could look to retreat after this somewhat. It could go one of two ways; - full Kate Bush, with absence and rarity likely to stump up further success, or diminishing returns that drop her lower down the ranks.

 

That's partially why I think Roan is a longshot to headline. It's very much going to be on her terms, I believe, but she has to decide what those terms will be, and that may well dictate her live future. 

 

Again, there's always going to be a lot of factors at play.

Link to comment
Share on other sites

On 9/23/2024 at 5:11 PM, glimmers_of_hope said:

Looks like download have teased Green Day with pushing their early bird tickets. Green fireworks in the picture and something about wake me in June...

https://www.kerrang.com/amp/are-download-festival-teasing-green-day-for-2025

 

I think several people thought they were going for download rather than glasto. Looks like it's fairly nailed on now. 

Subtle.

 

But yeah it's been rumoured for a little while and a Green Day fan site that correctly predicted them for Germany's Hurricane/Southside Festivals also said Download, who you'd imagine won't be inclined to share with Glasto.

Link to comment
Share on other sites

12 hours ago, Euphoricape said:

I'm hoping they play a few other UK shows next summer too. Rumours of playing Eden sessions. 

Slightly different vibe to The Script, who've just been announced for an Eden Sessions show.

 

That show is on the Wednesday of the week of Glastonbury so could put them in the ballpark for a Glastonbury Friday set.

Link to comment
Share on other sites

Wow - I thought I'd quickly catch-up on what's been going on here before starting work.... 3 hours later just finished reading! thanks everyone for this chat it's always filled with great stuff!

A question for the folks who have been paying attention to Glastonbury headliners for a long time, have we seen constant change in what types of acts are booked going back to the 80's and 90's or is there a clear 1 time change that has happened with the advent of Spotify?

- here is my perspective based on my limited knowledge and viewpoint - types of headliners are slowly changing to match the alternative to the zeitgeist, in the 70's/ 80's it was very much the alternative to the mainstream, the roots of the festival, in the 90's it was all about the biggest bands like Oasis but still opposing mainstream pop music like the spice girls, in the 00's it was about breaking the mould and encompassing all types of music but championing the artist over the manufactured band, now embracing certain pop acts but also starting to see more heritage acts performing (but heritage acts at this time were not the mainstream and perhaps could be argued as a different type of alternative to the mainstream pop industry), then in the 10's it became about booking the biggest and best world-leading acts and once in a lifetime shows, it seems like by this time we are not seeing as much of a focus on non-mainstream?
So what is in store for the second half of the 20's, is there such a thing as alternative to the mainstream any more? My guess is that the music industry will find a way to take back control from streaming sites and create a mainstream again. but what that will look like is anyones guess?

Or maybe festival aging with its punters? and we can just expect to see a continue of this trajectory into a nostalgia festival?

 

To link this back to 2025 headliners - I think we are at a pivotal year for change, 2024 saw a break in the tradition, all be it a change forced by Madonna pulling out, could we start to see the emergence of a new formula beginning this year? maybe we'll get a trio of three breaking acts for the first time since the 90s, perhaps something like Fred Again, O-rod, Sam Fender.

I think the big-show era could be over and we are heading towards something new...
🙂

 

Link to comment
Share on other sites

58 minutes ago, Wildglastotheo said:

Wow - I thought I'd quickly catch-up on what's been going on here before starting work.... 3 hours later just finished reading! thanks everyone for this chat it's always filled with great stuff!

A question for the folks who have been paying attention to Glastonbury headliners for a long time, have we seen constant change in what types of acts are booked going back to the 80's and 90's or is there a clear 1 time change that has happened with the advent of Spotify?

- here is my perspective based on my limited knowledge and viewpoint - types of headliners are slowly changing to match the alternative to the zeitgeist, in the 70's/ 80's it was very much the alternative to the mainstream, the roots of the festival, in the 90's it was all about the biggest bands like Oasis but still opposing mainstream pop music like the spice girls, in the 00's it was about breaking the mould and encompassing all types of music but championing the artist over the manufactured band, now embracing certain pop acts but also starting to see more heritage acts performing (but heritage acts at this time were not the mainstream and perhaps could be argued as a different type of alternative to the mainstream pop industry), then in the 10's it became about booking the biggest and best world-leading acts and once in a lifetime shows, it seems like by this time we are not seeing as much of a focus on non-mainstream?
So what is in store for the second half of the 20's, is there such a thing as alternative to the mainstream any more? My guess is that the music industry will find a way to take back control from streaming sites and create a mainstream again. but what that will look like is anyones guess?

Or maybe festival aging with its punters? and we can just expect to see a continue of this trajectory into a nostalgia festival?

 

To link this back to 2025 headliners - I think we are at a pivotal year for change, 2024 saw a break in the tradition, all be it a change forced by Madonna pulling out, could we start to see the emergence of a new formula beginning this year? maybe we'll get a trio of three breaking acts for the first time since the 90s, perhaps something like Fred Again, O-rod, Sam Fender.

I think the big-show era could be over and we are heading towards something new...
🙂

 

I think they go for the once in a lifetime as first call where possible, but this is clearly not sustainable. Elton John being a recent one - this pool is tiny and hard to get so never going to get 2 of them i think (i'd say less than 10 acts are in it that haven't played with most of them years inactive)

 

They then go for these new breaking acts, for at least 1-2 slots. I can't see them going for 3 in one year like you suggested.

 

They are also slowly repeating older headliners, e.g. return of Macca and what would have been a Stevie return. Bruce will come back eventually if they can get him i'm sure - Oasis in this too if they can get them

 

If they can't get suitable newer acts thats when they call up your AMs, Coldplays, Killers etc. I'd put Oasis above these just because rarity / time since last played

Link to comment
Share on other sites

1 hour ago, Wildglastotheo said:

Or maybe festival aging with its punters? and we can just expect to see a continue of this trajectory into a nostalgia festival?

 

To link this back to 2025 headliners - I think we are at a pivotal year for change, 2024 saw a break in the tradition, all be it a change forced by Madonna pulling out, could we start to see the emergence of a new formula beginning this year? maybe we'll get a trio of three breaking acts for the first time since the 90s, perhaps something like Fred Again, O-rod, Sam Fender.

I think the big-show era could be over and we are heading towards something new...

 

Rumors of Eminem and Stevie Wonder being considered counter that idea.

 

I doubt they will look at what happened in 2024 and think, “this is a trend we want to lean into.”

 

I don’t think it’s a binary, or that how they currently book leads to a nostalgia festival. The last decade or so has shown a general pattern of breaking act, established act, living legend when they can get it. Stormzy, The Killers, The Cure exemplifies this booking strategy nicely. 2024 seemed no different, they just fumbled on the living legend by all accounts, did a last minute promotion that they hoped would work out, and it led to what it led to. 

 

If you feel music is changing and this strategy needs to change, I’d look for that starting in 2027, not next year.

 

I think festival economics have changed, which is why you are seeing so many mid-tier festivals collapsing - basically the fests can’t afford the lineups expected for the ticket price under the new normal of inflated touring costs and pay expectations, so I do expect Glastonbury undercards to, by necessity, rely even more on friends of the fest that play near free to fill large slots over and over (and Glastonbury will continue selling out regardless, as more people love the weekend regardless of lineup than can fit in the festival). It could also lead to some more daring choices in the non-Pyramid headliner choices and sub slots, but I think this booking strategy for the big 3 headliners will stay as it works until there are no more living legends or established acts to book, at which point it will make the change you desire. 

Link to comment
Share on other sites

1 hour ago, assorted said:

 

Rumors of Eminem and Stevie Wonder being considered counter that idea.

 

I doubt they will look at what happened in 2024 and think, “this is a trend we want to lean into.”

 

I don’t think it’s a binary, or that how they currently book leads to a nostalgia festival. The last decade or so has shown a general pattern of breaking act, established act, living legend when they can get it. Stormzy, The Killers, The Cure exemplifies this booking strategy nicely. 2024 seemed no different, they just fumbled on the living legend by all accounts, did a last minute promotion that they hoped would work out, and it led to what it led to. 

 

If you feel music is changing and this strategy needs to change, I’d look for that starting in 2027, not next year.

 

I think festival economics have changed, which is why you are seeing so many mid-tier festivals collapsing - basically the fests can’t afford the lineups expected for the ticket price under the new normal of inflated touring costs and pay expectations, so I do expect Glastonbury undercards to, by necessity, rely even more on friends of the fest that play near free to fill large slots over and over (and Glastonbury will continue selling out regardless, as more people love the weekend regardless of lineup than can fit in the festival). It could also lead to some more daring choices in the non-Pyramid headliner choices and sub slots, but I think this booking strategy for the big 3 headliners will stay as it works until there are no more living legends or established acts to book, at which point it will make the change you desire. 

I don't think who you quoted is arguing for it to change, its a great discussion point though (much better than the Eminem roundabout)

Edited by gfa
Link to comment
Share on other sites

2 hours ago, gfa said:

I don't think who you quoted is arguing for it to change, its a great discussion point though (much better than the Eminem roundabout)

 

I felt that presenting a binary of "continue on this trajectory into a nostalgia festival" versus "a new formula" " of three breaking acts" inferred a preference  towards the latter (which is fine, I probably personally prefer how they currently do it, but don't feel that that's thereby a trajectory towards a nostalgia festival).

 

 I don't think the current headline formula that I think they aim for of 1 breaking, 1 established, 1 legend (sorry to use the afternoon slot term but it works here) is broke and needs fixing.

Link to comment
Share on other sites

41 minutes ago, assorted said:

I don't think the current headline formula that I think they aim for of 1 breaking, 1 established, 1 legend (sorry to use the afternoon slot term but it works here) is broke and needs fixing.


Indeed… it’s one of its USP’s.

Link to comment
Share on other sites

On 9/23/2024 at 4:26 PM, philipsteak said:

 

I remember having a lot of fun at that Basement Jaxx gig. And based on my one time seeing RHCP (2004 maybe?) I'd say absolutely the right call

agreed 100% id love to see Basement Jaxx again. RHCP bored me to tears last time I saw them at Leeds

Link to comment
Share on other sites

18 hours ago, assorted said:

 

 

I doubt they will look at what happened in 2024 and think, “this is a trend we want to lean into.”

😄 😄 - lol

 

 

18 hours ago, assorted said:

, at which point it will make the change you desire. 

 

Yeah it's definitely not something I 'desire' at all - who doesn't love watching a legend in the best place on earth!

I think I was wondering whether we needed to start to change our expectations for headliners, have we now run out of Elton John's? and if that happens then what is GF going to do?

Link to comment
Share on other sites

Lady Gaga would be a cracking headliner, but the joke about leaning on Harlequin would ring quite true. Very much an artist who could fill an absolute banger of a show with nothing but gold-plated hits, but have the disarming hunch she'd go in hard on the material for which there are less hoots given.

 

Good Morning

Stupid Love

Just Dance

Born This Way

Applause

That's Entertainment

Alejandro

Paparazzi

Judas

10 Perfect Illusion

11 Die With a Smile

12 Telephone

13 Shallow

14 The Edge of Glory

15 Poker Face

16 Rain On Me

17 Bad Romance

18 Hold My Hand

 

And even then, you're still missing some tunes.

Link to comment
Share on other sites

37 minutes ago, Wildglastotheo said:

😄 

I think I was wondering whether we needed to start to change our expectations for headliners, have we now run out of Elton John's? and if that happens then what is GF going to do?

Start booking interesting acts instead 

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

Loading...
  • Recently Browsing   0 members

    • No registered users viewing this page.

  • Latest Activity

    • Tonight was a disgrace. There wasn't *that* much rain, and it wasn’t *that* windy. A festival of this size should be able to withstand some adverse weather without it bringing the whole circus to a standstill. And if it is true that part of a speaker on the Revolut stage fell…   As for the communication - announcing Massive Attack were playing at 12:30 and then nothing for over an hour while people waited in the rain. It’s laughable it really is.   If I said I’ll never come back again I’d be lying. The shambles of Barcelona 2022 and the disgrace of Madrid 2023 didn’t stop me, so this probably won’t either.   This festival gets so much wrong, but it is always saved by having such killer line-ups. It’s just a shame it treats the fans/customers/consumers like animals. Compare it to somewhere like Glastonbury and it’s worlds apart.
    • Yeah, I admit that a small part of me felt relieved when they announced that MA are canceled.. But on the positive side- got to see Florence Road afterall, and they were great
    • Glad I could take the €3 bus to Playa Catalunya! Hope y'all warm and dry up.
  • Featured Products

  • Hot Topics

  • Latest Tourdates

×
×
  • Create New...