Jump to content

Don't Miss a Beat

Join the UK's most passionate festival community. Keep up with the latest conversations, line-up rumours, and music news.

250,000+ Members

Connect with a massive network of fellow festival-goers.

Lively Discussions

Thousands of active topics on music, campsites, and tips.

Hot Rumours & News

Hear about secret sets and lineup drops before anyone else.

Create Free Account
OR
  • Sign Up!

    Join our friendly community of music lovers and be part of the fun 😎

PJ Harvey confirmed


zero000

Recommended Posts

  • Admin
11 minutes ago, ghostdancer1 said:

the idea that their management isn't going to pass on offers of one of the biggest festivals in the world to them is complete nonsense.

It's really not.

Do you think management would pass everything upwards, or do you think they'd only pass upwards what they thought the band might consider doing?

(Plus, do you think management automatically pass upwards offers that would cut their own wages? I know for sure they don't with other bands)

The Stones only do a limited number of shows. Doing Glasto will have been at the expense of another show that will have paid better - and it's the big-paying shows the stones normally go for.

Festivals also don't give the control over the show the band normally demand. When the Stones played IoW they demanded and got a special stage set-up - which was never going to be an option at Glastonbury.

I'd say they only did it because the band have moved themselves to a slightly different place with what they want to do in their final years, where doing something a bit different is of more interest to them than just chasing the money - which appears to be why they've just announced a show in Cuba (cos that won't be for the money).

Link to comment
Share on other sites

  • Replies 278
  • Created
  • Last Reply

Top Posters In This Topic

40 minutes ago, eFestivals said:

It's really not.

Do you think management would pass everything upwards, or do you think they'd only pass upwards what they thought the band might consider doing?

(Plus, do you think management automatically pass upwards offers that would cut their own wages? I know for sure they don't with other bands)

The Stones only do a limited number of shows. Doing Glasto will have been at the expense of another show that will have paid better - and it's the big-paying shows the stones normally go for.

Festivals also don't give the control over the show the band normally demand. When the Stones played IoW they demanded and got a special stage set-up - which was never going to be an option at Glastonbury.

I'd say they only did it because the band have moved themselves to a slightly different place with what they want to do in their final years, where doing something a bit different is of more interest to them than just chasing the money - which appears to be why they've just announced a show in Cuba (cos that won't be for the money).

they'd pass on any serious offers. headlining Glastonbury is a serious offer. if the band would consider it, as they clearly would/did, then they'd pass it on.it would be a serious failure of management to not seriously consider realistic offers.

doing Glastonbury would not be at the expense of another show, there's nothing to stop them playing any other shows and Glastonbury, as demonstrated by them playing gigs several days before and after Glastonbury, as well as all throughout that year leading up to Glastonbury, as well as in the following years. as such, it's not cutting management's wages, or to be more precise, their booking agent's wages. it's less than their own gig would net, but it's still money in their pocket. as shown by their US tour up to the week before Glastonbury, it wasn't a matter of either/or. they could do, and did, both.

 

Edited by ghostdancer1
Link to comment
Share on other sites

2 minutes ago, eFestivals said:

On the money front an offer from Glasto is a joke offer in Stones terms.

Which is why I think it's very possible an offer wouldn't have been passed on.

Precisely, the Stones got 3 million to play a private party last year, 5.5 million for  Deutsche Bank bash a couple of years back, GA concerts will be 10 millionish, I presume.

 

If they get a fax (yeah, whatever) offering them 500,000, I'd guess it goes straight in the bin. It's a pisstake. The Glastonbury bit, to their management, is irrelevant.

Link to comment
Share on other sites

Just now, Mardy said:

Precisely, the Stones got 3 million to play a private party last year, 5.5 million for  Deutsche Bank bash a couple of years back, GA concerts will be 10 millionish, I presume.

 

If they get a fax (yeah, whatever) offering them 500,000, I'd guess it goes straight in the bin. It's a pisstake. The Glastonbury bit, to their management, is irrelevant.

Probably worse than irrelevant. They don't want to set a precedent.

Link to comment
Share on other sites

1 minute ago, stuartbert two hats said:

Probably worse than irrelevant. They don't want to set a precedent.

Yeah, good point, will damage their market/brand value or whatever it's called

Link to comment
Share on other sites

  • Admin
23 minutes ago, ghostdancer1 said:

doing Glastonbury would not be at the expense of another show, there's nothing to stop them playing any other shows and Glastonbury

on the same basis, there's nothing to stop them doing a gig every day in every year. But they don't.

They do a very limited number of shows, and not shows every year, limited only by how many shows they're prepared to do - which very clearly isn't very many.

Link to comment
Share on other sites

1 minute ago, CaledonianGonzo said:

Though, since Glastonbury (and before that, the Isle of Wight) they've played a tonne of festivals. Their most recent European tour was practically nothing but. The bottom's fallen out of their previous market.

That thing in Hyde Park just after Glastonbury, did it sell out? I can't remember

 

I guess, in one respect, festivals mean no expensive outlay on stage sets, equipment etc, especially if they don't want to do a whole 18 month world tour

Link to comment
Share on other sites

That and Knebworth in 1976. I suppose it just wasn't something that bands of their scale really did in the period from the 70s to the early 2000s. Once you reached a certain size you graduated out of the festivals market. These days the mega-bands have over-milked their fans and often have no choice but to play them.

Link to comment
Share on other sites

  • 2 weeks later...
On 13/03/2016 at 11:49 AM, SwedgeAntilles said:

I'd go;

1. Stories From The City, Stories From The Sea

2. Let England Shake

Let us know what you think after that.

Thanks for the suggestions, I'm really excited now. She's got an amazingly unique voice and very catchy songs on those albums. I feel ashamed to not have known about her earlier.

Link to comment
Share on other sites

9 minutes ago, weirdforces said:

Thanks for the suggestions, I'm really excited now. She's got an amazingly unique voice and very catchy songs on those albums. I feel ashamed to not have known about her earlier.

Glad to hear you enjoyed it!

Really looking forward to seeing her, just hoping if she's third down she doesn't clash with Tame Impala. Would be a nightmare of a clash.

Link to comment
Share on other sites

Just now, SwedgeAntilles said:

Glad to hear you enjoyed it!

Really looking forward to seeing her, just hoping if she's third down she doesn't clash with Tame Impala. Would be a nightmare of a clash.

Let England Shake will be my new commuting soundtrack, just wonderful!

I've been wondering about that, too. It would be really tough to choose between those two. Fingers crossed!

Link to comment
Share on other sites

28 minutes ago, weirdforces said:

Let England Shake will be my new commuting soundtrack, just wonderful!

I've been wondering about that, too. It would be really tough to choose between those two. Fingers crossed!

I'm hoping she'll sub, both of them back to back would be a cracking Sunday 

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

Loading...
  • Recently Browsing   0 members

    • No registered users viewing this page.

  • Latest Activity

    • There is possibly a weak link in the ticket buying system, no matter how clever the technical controls get. I just spent 20 minutes this morning hammering the ‘Buy Tickets’ button while the web page kept telling me there weren’t enough tickets remaining to meet my request. Eventually it changed its mind and let me buy two tickets. Most likely because of failed payments in the queue ahead of me. So - just like it did in the good old F5 days - pig-headed blind persistence can sometimes pay off.   BTW, the tickets were for the Whispering Bob Harris evening in the Albert Hall on 2nd December.
    • All I'm asking for is Rancid 
    • MGK would probably end my interest in this festival completely. 
    • The basement, deafheaven, Mannequin pussy clash is v annoying. Also not sure why pinkpantheress is in the tent, surely going to be ramos. 
    • It's just this:   Search up which orgs are currently in Tufton St, funded by Koch Brothers, Robert Mercer, and Matthew Elliot.   It's moved on from "Vote Leave" and "Leave Means Leave" into the lobbyists against net zero. It's the same funding from the same people in the same place lobbying our media and politicians.
  • Featured Products

  • Hot Topics

  • Latest Tourdates

×
×
  • Create New...