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2013 Headliners


Guest shangri-la_steward

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Yes lets have florence and the machine headlining, you can never have enough private school educated people who got given their chance via the private school network if you ask me.

fri: Mumford & sons (king's college)

sat: florence and the machine (alleyn's school)

sun: laura marling (leighton park)

sub headliners could be la roux, pixie lott and elly jackson

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I don't know if it's particularly an 'old boys network' type of problem

I think it may be more that it's currently so hard to make any money at music when you're starting out that it's only kids that have already got some money that are able to make a proper go of it.

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You are right, it is not exactly top secret information, it is in fact completely made up information..

I'm afraid your inverted snobbery highlights your paranoia.

You dont appear to have made an actual point either other than a made up percentage of people who went to private schools are in bands - what is the point you are trying to make?

Education is a good thing by the way and no, I went to a regular run of the mill comprehensive school and so do my children.

Grinderman did not headline in 2011 despite your wish, sorry.

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and Blur, don't forget Blur. And Coldplay.

And while it's not a public school, surely the exclusive Brit S1chool should count too? So add in Winebucket, Adele, Kate Gash and the others who I forget.

I bet Russy has the hots for Jenny Agater too. He'll have to strike that one off his childhood lusts. :lol:

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it really is. It's not even a difficult study to undertake.

People have just compared the album chart in 2010 to that of 1960/70/80/90.

It's an undeniable, proven fact.

And as someone up there pointed out, radiohead went to private school and I love them, so I certainly dont hate bands just because they went to private school.

I hate the fact that a private school education gives you such a massive advantage in life, and that advantage has now spread to the music scene too. Another door slams shut in the face of the working classes

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I think something like commercial charts is exactly where you'd be wrong. There's no way some of the hip-pop that spreads throughout the charts nowadays would have had its equivalent back then. If you look at people like Dizzee Rascal, Tinie Tempah, Labrynth, Leona Lewis etc. etc. who do chart well often, there's massive social mobility. As I said, I agree with you in certain areas, but considering the prevalence of music such as the above mentioned now, its hard to agree with chart comparisons.

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