Jump to content

Don't Miss a Beat

Join the UK's most passionate festival community. Keep up with the latest conversations, line-up rumours, and music news.

250,000+ Members

Connect with a massive network of fellow festival-goers.

Lively Discussions

Thousands of active topics on music, campsites, and tips.

Hot Rumours & News

Hear about secret sets and lineup drops before anyone else.

Create Free Account
OR
  • Sign Up!

    Join our friendly community of music lovers and be part of the fun 😎

2019 Headliners


rzwodezwo

Recommended Posts

How about these from debuts:

Please please please

Ghost rider 

Keep On Movin

I will follow

10.15 Saturday night

Blitzkrieg bop

Janie Jones

Blue suede shoes 

Sunday morning

1969

Sister midnight

Good times bad times 

Break on through to the other side 

Moving

Welcome to the jungle

A message to you Rudy

Straight outta Compton 

You’re gonna get yours

Disorder 

New life

Link to comment
Share on other sites

5 hours ago, Username taken said:

Definitely Maybe came out 24 years ago and its probably 22 years since they were at their absolute peak, 9 years since they split up and people are still talking about them, so I'd stick my neck out and say people will continue to talk about them.  Both the brothers still sell out arenas. Their solo albums have gone platinum and topped the charts. I'm not sure you could say that Oasis were anything other than huge, and will continue to be so.

Most of that passed me by.................

Genuine interest here and I'm not trying to be argumentative, but are people still talking about their music ? The only time I've heard them mentioned in recent years - other than on here - was about them being a couple of knobheads who like the Beatles and fighting.

I know they were big, my brother was a fan, but as swedge said

4 hours ago, SwedgeAntilles said:

it's no stretch to say that Radiohead, Pulp, Blur were all better

so what is it that makes them so long lasting ?

It's not because I don't like them, I never liked Take That either, but I understand their appeal more. I can't help wondering how much is media manipulation, picking fights with other singers - Robbie Williams springs to mind, or very public fights between themselves.

Link to comment
Share on other sites

5 minutes ago, TheNoise said:

I know they were big, my brother was a fan, but as swedge said

so what is it that makes them so long lasting ?

It's not because I don't like them, I never liked Take That either, but I understand their appeal more. I can't help wondering how much is media manipulation, picking fights with other singers - Robbie Williams springs to mind, or very public fights between themselves.

I’m not their biggest fan by any stretch (much much prefer Radiohead and Blur) but Oasis wrote Wonderwall and Don’t Look Back In Anger. I’m 28 and everyone around that age seems to know every word to it whether they wanted to or not. 

The media and image helps but they wrote some of the biggest ‘anthems’ of the decade. Even if their shite output outweighed their good, they were always going to last because of the way those early songs lodged in so many people’s consciousness 

Link to comment
Share on other sites

17 minutes ago, Mash011 said:

Gonna pop in with my usual contribution to this discussion which is that oasis were a trash band who produced nothing of value and their enduring popularity is a miserable tragedy of our culture. 

Slide Away is better than anything Hinds have ever done (speaking of which my friend saw Hinds tonight).

Link to comment
Share on other sites

2 minutes ago, Gucci Piggy said:

Slide Away is better than anything Hinds have ever done (speaking of which my friend saw Hinds tonight).

Nice try but I know you've not listened to their new album which shits all over the miserable discography of Gammon Gallagher and the Meatheads

Link to comment
Share on other sites

1 hour ago, strummer77 said:

I’m not their biggest fan by any stretch (much much prefer Radiohead and Blur) but Oasis wrote Wonderwall and Don’t Look Back In Anger. I’m 28 and everyone around that age seems to know every word to it whether they wanted to or not. 

The media and image helps but they wrote some of the biggest ‘anthems’ of the decade. Even if their shite output outweighed their good, they were always going to last because of the way those early songs lodged in so many people’s consciousness 

I do know all the words to those songs, but tbf I also know all the words to "I'm a barbie girl" and "Wannabe". If I hear a song over 10 times and the lyrics are a bit basic, then I have a hard time NOT knowing the words. Thats not really a great way to judge the quality of a song. 

Oasis has never rubbed me the right way. 

Link to comment
Share on other sites

2 hours ago, TheNoise said:

Most of that passed me by.................

Genuine interest here and I'm not trying to be argumentative, but are people still talking about their music ? The only time I've heard them mentioned in recent years - other than on here - was about them being a couple of knobheads who like the Beatles and fighting.

I know they were big, my brother was a fan, but as swedge said

so what is it that makes them so long lasting ?

It's not because I don't like them, I never liked Take That either, but I understand their appeal more. I can't help wondering how much is media manipulation, picking fights with other singers - Robbie Williams springs to mind, or very public fights between themselves.

Oasis had great songs to bellow out at the end of a drunken night in the pub. Patchy quality absolutely, but sometimes simple works better than being all arty and likely to have wider appeal.

As well as warring with each other there was the so called war with Blur and the media hype associated with that.

Then knebworth...bands just don't do gigs on this scale anymore. A quick look on wiki and it says over 2.5 million people applied for tickets.  

Link to comment
Share on other sites

Definitely Maybe, Morning Glory and The Masterplan are all good to great albums with some massive bangers and tunes that have had massive cultural significance (there can’t be many under 60’s out there who don’t know Wonderwall for example). It’s just too bad there isn’t enough material to make one decent album from the five or six that followed. There’s a reason both Gallaghers’ solo sets lean heavily on the early days. 

Their main legacy however was as forerunners to the era of lairy lad rock. Of piss throwing, coked up idiots trying to cause as much trouble at gigs as they can. They set the template for the likes of Kasabian, Courteeners and Bobfish and the Fancymen to follow.

Edited by Hugh Jass
Link to comment
Share on other sites

5 hours ago, MetaKate said:

I do know all the words to those songs, but tbf I also know all the words to "I'm a barbie girl" and "Wannabe". If I hear a song over 10 times and the lyrics are a bit basic, then I have a hard time NOT knowing the words. Thats not really a great way to judge the quality of a song. 

I think if you read the post I wasn’t on about them being high quality songs. The answer was why do they endure. And it’s partly because they have a few really huge songs that people can sing-along with. Ones that twat with an acoustic guitar looking for a singsong can drag out. They’ve become genuine anthems for a culture  

And as for ‘Wannabe’, I guess that’s sort of the same point. The Spice Girls have somehow endured to a degree they’re still selling out stadiums despite being crap. As for Barrie Girl... you have no excuse. 

Edited by strummer77
Link to comment
Share on other sites

8 minutes ago, Hugh Jass said:

Definitely Maybe, Morning Glory and The Masterplan are all good to great albums with some massive bangers and tunes that have had massive cultural significance (there can’t be many under 60’s out there who don’t know Wonderwall for example). It’s just too bad there isn’t enough material to make one decent album from the five or six that followed. There’s a reason both Gallaghers’ solo sets lean heavily on the early days. 

Their main legacy however was as forerunners to the era of lairy lad rock. Of piss throwing, coked up idiots trying to cause as much trouble at gigs as they can. They set the template for the likes of Kasabian, Courteeners and Bobfish and the Fancymen to follow.

I think it's a bit ignorant to call that their 'main legacy.' 

You'll be surprised how many great bands in modern contemporary pop music are heavily influenced by their ability to write a really simple 'big' chorus. 

Link to comment
Share on other sites

  • Admin
4 minutes ago, Honeybane said:

I think it's a bit ignorant to call that their 'main legacy.' 

You'll be surprised how many great bands in modern contemporary pop music are heavily influenced by their ability to write a really simple 'big' chorus. 

because no one wrote simple 'big' chorus' before them? :blink::lol: 

Link to comment
Share on other sites

6 hours ago, Mash011 said:

Nice try but I know you've not listened to their new album which shits all over the miserable discography of Gammon Gallagher and the Meatheads

That new Hinds album is something else. They better be at Glastonbury next year.

Link to comment
Share on other sites

Just now, eFestivals said:

because no one wrote simple 'big' chorus' before them? :blink::lol: 

people were rapping before biggie and tupac, but they are the ones who are considered the best at what they did.

 

I'm not even their biggest fan but Oasis were very very good at writing a 'simple' big chorus, it inspired so many to try it theirself - especially when they played the 'we're the lads from a council estate' card. People genuinely believed they could do it. 

Link to comment
Share on other sites

Please sign in to comment

You will be able to leave a comment after signing in



Sign In Now
  • Recently Browsing   0 members

    • No registered users viewing this page.

  • Latest Activity

    • Another one from Sheffield DocFest this weekend, Earth Wind & Fire docu, directed by Questlove. Sensational archive footage, contributions from band members, family, plus a lot of very big fans (Stevie, Lionel, Flea, the Obamas) and a warts n all assessment of the genius / flawed human being that was Maurice White. Also, I never realised he started out as a jazz drummer with Ramsay Lewis. Well worth a watch.
    • In a 6,800-word Substack essay, external, the Clacton MP said "anti-white racism was embedded into the state", and that legislation aimed at equality was a form of "social cleansing"   .https://www.bbc.co.uk/news/articles/cdjkd4mp93zo   The privileged white c**t hasn’t got a clue what racism is. 
    • BBC iPlayer: Will serve as the main hub for past sets, including both recent hits and iconic archival gems. You can explore the BBC iPlayer to watch curated compilations, "Best of Glastonbury" recaps, and on-demand replays of historic headline performances. [1, 2, 3] TV Broadcasts (BBC Two & BBC Three): The channels will air dedicated compilation shows. Leading up to the weekend, you can watch archive programming such as Glastonbury: 70s Legends, 80s Legends, and 90s Legends on BBC Two. [1] Radio & BBC Sounds: Pop-up Glastonbury radio stations on BBC Sounds will feature non-stop coverage, including exclusive mixes and huge sets from past years
    • Got HBO Max to watch football so watched One Battle After Another which is a great film and deserves its awards and then rewatched Magnolia and that is a flipping amazing film...so much in it. (also rewatching Angels In America series which is also amazing).
  • Featured Products

  • Hot Topics

  • Latest Tourdates

×
×
  • Create New...