Jump to content

Don't Miss a Beat

Join the UK's most passionate festival community. Keep up with the latest conversations, line-up rumours, and music news.

250,000+ Members

Connect with a massive network of fellow festival-goers.

Lively Discussions

Thousands of active topics on music, campsites, and tips.

Hot Rumours & News

Hear about secret sets and lineup drops before anyone else.

Create Free Account
OR
  • Sign Up!

    Join our friendly community of music lovers and be part of the fun 😎

The Mumfarts


Guest mattgimmeshelter

Recommended Posts

Meaningless pop dross, the structure and composition of their songs could not possibly be more formulaic, they play their instruments only slightly better than amateurs, their lyrics could have been written (and probably were) by a 16 year old indie bedwetter, dreaming of how one day the whole world will see how cool they are. The lemmings who watch them aren't deluded, they're just simple for eating this shit up, same as most mainstream pop consumers, they enjoy the shows for the pretty lights and sing-along-bait choruses. They've got their time in the sun now, but in a few years they'll fall by the wayside, like most empty fads, the fickle public will move onto something shinier.
Link to comment
Share on other sites

  • Replies 129
  • Created
  • Last Reply

Top Posters In This Topic

Mumford really don't help themselves by their fake image, but I realise everyone else is selling an image of themselves too.

(There's really not enough room for me to go into how utterly disgraceful Mumford and Coldplay are, but to be fair to Coldplay, they've done a hell of a lot for the festival, so I don't begrudge being elsewhere for an hour and a half every five years at Glastonbury.)

With regards to why isn't it "cool" to like them and Coldplay, has it ever been cool to like MOR Tesco pop rock?

Edited by thesecretingredientiscrime
Link to comment
Share on other sites

I guessed you were ;)

Not everyone makes them out to be the next best thing though. Quite a lot of people seem to think they're shit!

They're not my favourite band or anything btw. I just don't get the hate. Same as Coldplay in that regard. They've sold millions of records, played to sell out crowds etc etc but it's really not cool to like them. Strange really.

Link to comment
Share on other sites

A '16 year old indie bedwetter'?! Brilliant! :D

Just out of interest, what should the 'simple lemmings' be listening to if they want to be as musically enlightened as you?

Link to comment
Share on other sites

What's your definition of shit? You don't like them, therefore they must be shit? Every time they play the (usually huge) crowd seem to have a great time. Are they all deluded? Or just have different taste to you? Just curious......... :) Edited to correct my appalling grammar. Apologies MC Grammar!
Link to comment
Share on other sites

i hate the argument 'a lot of people like them so therefor they must be good'. it just doesn't pan out, because, well, a lot of people are fucking stupid, as the charts clearly portray. if what the 'people' like is what should be playing Glastonbury then David Guetta would be headlining every single night

Link to comment
Share on other sites

i hate the argument 'a lot of people like them so therefor they must be good'. it just doesn't pan out, because, well, a lot of people are fucking stupid, as the charts clearly portray. if what the 'people' like is what should be playing Glastonbury then David Guetta would be headlining every single night
Link to comment
Share on other sites

Meaningless pop dross, the structure and composition of their songs could not possibly be more formulaic, they play their instruments only slightly better than amateurs, their lyrics could have been written (and probably were) by a 16 year old indie bedwetter, dreaming of how one day the whole world will see how cool they are. The lemmings who watch them aren't deluded, they're just simple for eating this shit up, same as most mainstream pop consumers, they enjoy the shows for the pretty lights and sing-along-bait choruses. They've got their time in the sun now, but in a few years they'll fall by the wayside, like most empty fads, the fickle public will move onto something shinier.

Link to comment
Share on other sites

Meaningless pop dross, the structure and composition of their songs could not possibly be more formulaic, they play their instruments only slightly better than amateurs, their lyrics could have been written (and probably were) by a 16 year old indie bedwetter, dreaming of how one day the whole world will see how cool they are. The lemmings who watch them aren't deluded, they're just simple for eating this shit up, same as most mainstream pop consumers, they enjoy the shows for the pretty lights and sing-along-bait choruses. They've got their time in the sun now, but in a few years they'll fall by the wayside, like most empty fads, the fickle public will move onto something shinier.
Link to comment
Share on other sites

they are truly shite

they played before arcade fire at that hyde park gig the other year. The place was PACKED for mumford & sons. Then half the people left before arcade fire came on :lol:

They would get a massive crowd if they headlined the pyramid. Part of me thinks the bookers are missing a trick by not getting them 9if they havent tried already).

They will be a cheap, popular booking. I'd actually rather see the festaival get them to headline rather than the stones. I reckon mumfords would appreciate it a lot more

fuck jagger

Link to comment
Share on other sites

Easy precious. I personally think they are shit, therefore I don't listen to them. I didn't say anything about anyone else's opinion, as I don't care. I'm not trying to stop anyone else listening to them nor does them having a big crowd affect my opinion. I'd be happy for them to headline as I like to see new acts given a shot at it, but I'd be a long way elsewhere
Link to comment
Share on other sites

I didn't mean to sound precious, apologies if that was the case. I just find it a bit tiresome that whenever some bands get mentioned there's almost an involuntary reaction from some stating that they're shit and nobody has any right to an alternative view.

The point I was trying to make was that there are huge numbers of people who feel otherwise and regardless of what I, or you, think, their enjoyment is just as valid as your disdain.

And if anyone thinks that if they were to headline there would be anything other than a huge Pyramid field crowd having a fantastic time, I think they're the ones who are deluded.

Love them or hate them, they are perfect for the current Glastonbury demographic (insert different argument about current demographic here!) :)

Link to comment
Share on other sites

Is there such a thing as a Mumford demographic? Honest question - with most bands you can kind of pigeon hole them to a degree and get some idea of who might like them based on what they sound like. I dont get this with Mumford - whenever I listen to them I wonder who might possibly get off on them as it sounds so insipid.

Link to comment
Share on other sites

Is there such a thing as a Mumford demographic? Honest question - with most bands you can kind of pigeon hole them to a degree and get some idea of who might like them based on what they sound like. I dont get this with Mumford - whenever I listen to them I wonder who might possibly get off on them as it sounds so insipid.
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

Loading...
  • Recently Browsing   0 members

    • No registered users viewing this page.

  • Latest Activity

    • Yeah, I think it's important to differentiate between a stage that's just a platform for the artist to walk on (which can be assembled fairly quickly and without too much difficulty), and the custom staging that you get in big productions where there's a whole world underneath.   Using the Eras tour as an example the stage extending out into the stadium field has all sorts - lifts that go up or down - down most importantly as this allows performers to enter or to leave the stage as needed. There's passageways to get from one part of the stage to another. There's what are effectively dressing rooms set aside for costume changes. There's spare instruments (and techs to look after them) so if something goes wrong above they can be swapped out in the space of seconds. There's even a track and dolly system running the full length of the stage so that Taylor can be moved from one end to the other faster than she'd be able to walk.   I don't know the specifics of the Madonna tour to the same degree but my understanding is that a lot of the same techniques are used.
    • Wow just got myself some Megadeth tickets and not sure I can afford another set of tickets for another gig so soon but we'll see. Fingers crossed
    • Can't speak for Dua Lipa's, but Coldplay's was vastly scaled down compared to their stadium production staging though, and tracks were adapted to reflect that. MOTS tour had a full walkway 30m out to the B-Stage in the middle of the crowd, and two C-Stages. Glastonbury didn't accommodate that at all and just had a very small walkway in front of the Pyramid stage, and (IIRC) a disconnected B-Stage.   Which re-enforces my point. Acts can adapt their stage shows if they really want. Most do, some don't want to. Glastonbury might miss out on the odd act that doesn't want to slightly adapt, but so will most festivals.   
  • Featured Products

  • Hot Topics

  • Latest Tourdates

×
×
  • Create New...