Jump to content

Don't Miss a Beat

Join the UK's most passionate festival community. Keep up with the latest conversations, line-up rumours, and music news.

250,000+ Members

Connect with a massive network of fellow festival-goers.

Lively Discussions

Thousands of active topics on music, campsites, and tips.

Hot Rumours & News

Hear about secret sets and lineup drops before anyone else.

Create Free Account
OR
  • Sign Up!

    Join our friendly community of music lovers and be part of the fun 😎

Women only venue


budvar

Recommended Posts

  • Replies 412
  • Created
  • Last Reply

Top Posters In This Topic

I've been pondering and the only 'women only' space I've ever been in personally would be toilets or changing rooms.  And those ridiculous wee spaces bring great banter.  I can't think of being in a bar or anywhere where there's only women, even by happenstance.  I've often gone into pubs with my mate on a weeknight to be met by a wall of staring blokes though.  Even just for the novelty factor, this will be worth a wander in to me.

Link to comment
Share on other sites

2 hours ago, jonodillieono said:

How do you join the dots from the topic of a women's only area at Glastonbury, to doubting the integrity of allegations by sexual assault victims? It's quite a leap..

Same way you just joined the dots from me saying a women's only area at Glastonbury is sexist leads to me doubting the integrity of sexual assault victims, quite the leap indeed... 

Maybe you just weren't paying attention to the conversation when you jumped in, but this sequence of comments below sure makes it seem like you consider victim-blaming a natural response to anything that can be construed as "fighting sexism with sexism".

6 hours ago, RichardWaller said:

Wow, this escalated. From a women only venue at Glastonbury to Operation Yew Tree victim blaming in a dozen pages... I know Glastonbury and its clientelle are a diverse bunch, but wow...

 

6 hours ago, giantkatestacks said:

It sadly always happens around women's issues on the internet. There must be some sort of siren that goes off somewhere.

 

5 hours ago, jonodillieono said:

I think it's because quite a lot of people think that fighting sexism with more sexism is a silly idea

 

Link to comment
Share on other sites

2 hours ago, Funkyfairy! said:

Women earn less in most if not all sporting events, and there are still men that support that  - wasn;t there a newspaper article last year with one of the tennis players supporting the gap in pay. We shouldn;t consider ourselves inferior to anyone, yet everywhere around women we are deemed as lesser mortals for pay, board positions etc... the figures speak for themselves

 

The winner of the men's title at Wimbledon last year played 247 games over 24 sets on the way to winning the title.

The winner of the ladies' title played 147 games over 16 sets.

They both got paid £1.88m for winning.

So that works out at £7,611 a game, or £78,333 a set for the men's winner.

And £12,789 a game, or £117,500 a set for the ladies' winner.

Link to comment
Share on other sites

3 hours ago, Tigerdragon said:

I guess the newest idea is that we stop constructing 'male' and 'female' against each other as opposites - see trends such as non-gender play, the 'because I'm a girl' advertising campaign, genderless parenting, unisex/unmarked bathrooms etc etc etc.

It would go a long way if male identity was less to do with not being 'female' and female identity not being 'male', and we should be suspicious of anything that tries to suggest the two are defined, biological categories. Challenges like this might create a lot more common ground and shared experience.

That's the cure - alleviating friction between differences that are taken for granted but which, perhaps, don't really or 'naturally' exist.
 

I've noticed a bit more of that. I've been in plenty of unisex toilets in bars/clubs.. Yeah, that makes sense. The "Men are from Mars, women are from Venus" stuff.. obviously I only really know my own generation, there's been a lot of change. Gender roles aren't what they were, some will feel threatened by that, some won't give a shit. We're just people. I'm probably more emotional than my wife.. 

3 hours ago, jonodillieono said:

Same way you just joined the dots from me saying a women's only area at Glastonbury is sexist leads to me doubting the integrity of sexual assault victims, quite the leap indeed... 

I didn't say you were doubting the integrity of sexual assault victims, I was talking about the way the thread has gone and if you go back a couple of pages you'll see what I'm talking about. I just wondered if, in your opposition to this, that you felt similarly. Not assuming or anything, just curious.

Quote

Literally the very definition of sexism, discrimination on the basis of sex. A man is not allowed into a venue because he is a man, therefore he is being discriminated against due to his sex, therefore sexism

Single sex schools are sexist and women's refugee centres are sexist by definition yes. 

Fair enough. Yeah, that's the cut and dry dictionary definition but I think it's a more complex issue than that. Everyone's got their own ideas of what is and isn't sexism or any other ism for that matter. Personally, I think where prejudice of any kind is concerned, practically, it ought to be the victim that decides whatever the ism is. If you consider men to be victims of being excluded from this small part of a festival then that's up to you. Not sure there's a great deal of balance there.

1 hour ago, marcoolio said:

Maybe you just weren't paying attention to the conversation when you jumped in, but this sequence of comments below sure makes it seem like you consider victim-blaming a natural response to anything that can be construed as "fighting sexism with sexism".

Thanks. I wasn't accusing, just asking. This thread has stirred up a lot... Not necessarily opposing views, mind. I'm just curious.

47 minutes ago, wilko8 said:

The winner of the men's title at Wimbledon last year played 247 games over 24 sets on the way to winning the title.

The winner of the ladies' title played 147 games over 16 sets.

They both got paid £1.88m for winning.

So that works out at £7,611 a game, or £78,333 a set for the men's winner.

And £12,789 a game, or £117,500 a set for the ladies' winner.

Two people... This is a desperate clutch!

Link to comment
Share on other sites

On 06/06/2016 at 4:07 PM, nats2086 said:

I also don't agree with the "preaching to the converted" point with regards to the education aspect, as I think women do need educating, as there are still those who just kind of accept things and put up with them

That's not a valid reason to not be inclusive.

If someone is doing wrong, they have to be told. Turning to a third person to say "Ooh, what they've done is really wrong, isn't it" does not solve the problem.

Link to comment
Share on other sites

19 hours ago, RichardWaller said:

This, personally I've got a hunch that the kind or men most aggressively demanding their right to be there will be the kind of men least interested in what's going on and being said there. It's Stan's right to have babies.

Women's only spaces aren't strictly for education though. They're exactly wha they say they are: spaces for women 

Link to comment
Share on other sites

Switched on the TV and they're talking about it on "The Wright Stuff" they're all going a bit off topic tbh. It's in Shangri La, it's just a new quirky area within, all they're talking about on the show is rape.

Link to comment
Share on other sites

37 minutes ago, CaledonianGonzo said:

If the aim of the place was to educate misogynists then you'd definitely have a point.

But that's not what it's trying to achieve.

Exactly. The main criticism of the space seems to be based on an assumption about what it's for. I usually find that if you're guessing about what something is for based on what it is, and you also decide it's not good at fulfilling it's purpose based on what it is, then perhaps it's actually your assumption that's wrong, rather than the people who have created it.

It's pretty arrogant to assume that after five minutes of thought, you've come to far better conclusions than the people who have spent far longer than you actually creating something. Looking deeper into the possible motivations may reveal that it actually makes more sense than you thought.

As a side note, I suspect any experienced software developer will recognise the scenario I described above.

Link to comment
Share on other sites

Here's my view on it, and where I see this space as being really useful.

In my experience, women can be awful to each other. We can get jealous of prettier, thinner women. Some women say they'd rather their boss was a man than a woman. Think about how ridiculous that is.

I can think of so many examples where I've experienced, or witnessed, women driven by insecurity making some other woman's life difficult in some way, in a way that I haven't experienced from men - men will lear and grope, which is obviously horrific, but I'm specifically talking here about women being less than supportive towards other women.

There are so many reasons for this behaviour I think.

It is fair to say that girls have it drilled into them via various forms of media from a young age, that their value to society is instrinsically linked to how good they look, and how young they are.

What's more, our society actively celebrates women who are prepared to voluntarily objectify themselves for the sake of making money. Pop stars, models, page 3 girls - look at Katie Price for goodness sake!

It's not enough now to be an attractive female pop star. Now, you need to feature in videos where you're writhing around provocatively, wearing as little as possible. Miley Cyrus? Rhianna? Even Girls Aloud videos can be raunchy, and the dance moves suggestive. There's nothing inherently wrong with this, but it's now so prevalent across the music industry, and this is what our children are watching and aspiring to.

And the thing is, these female pop stars are likely doing this voluntarily. And I can understand why - who in their 20s wouldn't enjoy being dolled up by a hair and make up team, photoshopped, then filmed/photographed, only to have the world fall at their feet and shower them with adoration? It must be a serious ego boost.

But the impact on women in society is negative. It makes us feel like shit. 

The other factor is that with enough money, even a plain woman can transform herself to a certain degree, into something that society deems attractive - fake boobs, blonde hair, plenty of makeup etc. This creates a scenario where women aren't ever satisfied with their looks. "Oh, if I just change my hair colour, or lose an extra couple of pounds - THEN I'll be happy."

I know I am waffling here, but the point I am making is that when you reduce a whole gender down to their appearance, I think it creates friction amongst that group, it creates competition. Because the way you look isn't something you've earned or had to work for,like other skills. It's just pot luck.

Because of this constant portrayal of women in the media as sex objects, along with the fact that many women happily go along with it, at least in their youth, in order to get ahead in life, it means that instead of women supporting one another, it creates a lot of competition and friction and resentment, particularly among young women.

We can be our own worst enemies. Because by going along with it, voluntarily objectifying ourselves and convincing ourselves that it's acceptable to do so, nothing changes.

We put up with enough marginalisation in society at the hands of the men in charge - the last thing we should be doing is joining in with them and actually playing right into their hands.

So for me, I see this women's space, not as something that excludes men per se, but as a place to actually educate women themselves. To have women come together as a sisterhood. To drop all this petty competition with each other, and realise that we need to work together if we want anything to change.

 

 

 

Link to comment
Share on other sites

19 minutes ago, MadScientist said:

Women's only spaces aren't strictly for education though. They're exactly wha they say they are: spaces for women 

Course, that's the main thing and I don't consider it anything worth getting up in arms about so am curious about the motives of people who are. I know it's not strictly for education but it's a big aspect, as the organisers mentioned in the article in the first post, about pay gap, service cuts, rights, marginalisation etc. There's a lot of worrying attitudes towards women, between Brock Turner and even in this thread, when some people will judge and blame victims of sexual assault whilst not understanding why people are reluctant to come forward in the first place.

Link to comment
Share on other sites

19 hours ago, jumbomcnutt said:

Glastonbury have confirmed that there is also a men's only area this year, they marked the areas on the map as "Urinals" - I'm performing there each day. 

Since the invention of she-pee spouts, even Glastonbury urinals aren't the male preserve they once were.

Link to comment
Share on other sites

2 hours ago, stuartbert two hats said:

Exactly. The main criticism of the space seems to be based on an assumption about what it's for. I usually find that if you're guessing about what something is for based on what it is, and you also decide it's not good at fulfilling it's purpose based on what it is, then perhaps it's actually your assumption that's wrong, rather than the people who have created it.

It's pretty arrogant to assume that after five minutes of thought, you've come to far better conclusions than the people who have spent far longer than you actually creating something. Looking deeper into the possible motivations may reveal that it actually makes more sense than you thought.

 

Hmm...

Hypocrite, me thinks.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

Loading...
  • Recently Browsing   0 members

    • No registered users viewing this page.

  • Latest Activity

    • Tbf they sold out the mainland European shows that follow this UK tour more or less immediately so I guess much of Europe will be stadiums for them next summer regardless and they might want to bring any stadium bespoke production here, even if it's just one night at a London stadium or whatever.    I like the new album and wanted to see them again but £150 for a standing ticket is ridiculous and all the sub-£100 price categories sold out. So you know, would like to go but guess I'm waiting for any last minute dropouts. Tbf I would hazard a guess of these 4 UK shows in November that more tickets are sold than unsold and by the time of the show it'll be, if not a full house, close enough. 
    • I don't think it's out of the realm of possibility    It would feel like a bit of waste for their first set in the UK for 12 years be an hour and 10 mins as a sub    A lot of people will buy day tickets just for FNM
    • Very nice to read your review.  Here's mine.  I enjoyed it all so much that I bought a pre-sale ticket for 2027!   ____   WOMAD FESTIVAL 23-26 July 2026  Neston Park, Corsham, Wiltshere   Womad is back! The festival took a year off last year to recalibrate. They were moving to a new location, and no doubt the fact that so many festivals have ceased to exist as a result of financial problems in the current climate made it important for Womad to get things right going forward. And did they! The festival was a resounding success. Sold out, with brilliant music and smiling faces all around.    From 2007 until 2024 the festival was held at Charlton Park in Wiltshere. I went there six times.  Sometimes the festival clashed wth Cambridge Folk Festival, but since the pandemic I have found myself preferring Womad. It offers greater diversity. There are acts from all over the world and I feel I can trust the organisers to come up with stuff I will enjoy.    The new site is a beauty. Neston Park is an estate near Corsham.  Melksham is the nearest train station; Bath the nearest bigger town. The Real World studios are nearby in the village of Box. The weather was again very warm and the site thankfully has many shaded areas with trees. The camping fields offer enough space that people do not need to camp on top of each other. There are four main stages and best of all, programming is such that there was never any sound overspill. Toilets were mostly of the compost variety. The food I sampled was delicious, albeit expensive, and they had very nice Clear Head alcohol-free beer on tap, which predictably ran out on Saturday.    I went as an Oxfam volunteer, which benefits a good cause and was enjoyable as ever, but I have to admit that it was killing me how much I was missing that I wanted to be at, due to having to work. I was not able to participate in the many interesting workshops and presentations on offer. I am planning to go as a punter next year, and volunteer elsewhere where the lineup is less crucial. My shifts were in the camping fields. This was relatively easy due to the Womad festival goers being very well behaved (“You can’t go that way“; “Oh, I see”). I enjoyed spending time up on the fire tower, from where the view was great.   Peter Gabriel made an appearance at the World of Words stage. Lopa Kothari was on compere duty on the World Stage (the main stage), and for me a most welcome addition was Justin Adams compering the second stage - the Big Top. Justin is a fantastic guitarist who has collaborated with and produced many world music greats (Robert Plant, Tinariwen, Souad Massi, Sharon Shannon). Justin is so knowledgeable and enthusiastic, it was a real joy to have him in the Big Top all weekend, and I liked his unshouty style of presenting.   These were my musical highlights:   1. GANAVYA (India) - Big Top   Singer Ganavya is from New York, of Indian heritage, and she spent many years living in Tamil Nadu. The first striking thing when she walks onstage is how pregnant she is. She explains she is eight months. At times it looked like there might be a Womad baby. Ganavya is accompanied by a harpist and a cellist. Stunning music and great storytelling too. She is a graduate from Berklee College of Music and has worked as a teacher as well, which is evident from her engaging talk. She reminded me of Arooj Aftab, mostly because of her dry and self-deprecating sense of humour. Her show ended with a wonderful singalong traditional, the high point of the entire festival for me. I will certainly seek her music out further.   2. SEPPUKU PISTOLS (Japan) - World Stage   The Seppuku Pistols are an anarchist punk group with traditional instruments. There’s thirteen of them, different ages. They started in the middle of the crowd and then made their way over to the stage. Many of the members play percussion. The leader is an older guy, who spoke at length and with great conviction in Japanese, before yelling “translate!” to a band member. There was so much going on, sometimes you didn’t know where to look. I was near the front, but band members frequently went with instruments and all into the moshpit. At the same time someone could come crowdsurfing overhead. Apparently one of them broke his ankle, didn’t realise and finished the gig. “I think you all need to go and decompress”, Lopa Kothari said to the audience once it was over. Everybody left the main stage with big smiles, shaking their heads.   3. GANNA (Ukraine) - Sunflower Tent   Ganna is a Ukrainian singer, based in Berlin. She performs solo, standing behind a table with equipment. This is never my favourite set-up, however her voice, songs, stage presence and stories were so remarkable that I can get over the lack of a proper band. My shift partner saw her at the ‘Taste the World’ stage and told me she is equally good without the box of tricks. Her singing is not unlike Sámi joiking. Ganna’s singing was so impressive that everyone (finally!) stopped talking. Her music is an intriguing mix of traditional songs over very contemporary electronics. She spoke about the situation in Ukraine, including some very personal stories. I would have loved for this show to have been longer.   4. OUMOU SANGARÉ (Mali) - World Stage   The only artist on the lineup that I had seen before. The “Songbird of Wassoulou” has continued to release quality albums and I knew this was guaranteed to be good. Oumou was the final act on the main stage on Sunday; a fitting end to the festival. Her band are a mix of Mali-based and French musicians; the keyboardist stood out in particular. Oumou looks positively regal to begin with, but loosens up once she takes off her high heels. She addresses the crowd mostly in French. Sound was exceptionally good for this gig, though it has to be said it was good on the whole, with the exception of the Sunflower stage, which was a bit muddled at times.   5. FRESHLYGROUND (South Africa) - Village Stage   Freshlyground are an Afropop band from Capetown, who have been around since 2002. After seeing several performers with laptops on stage, it was a relief to see such a seasoned band with real instruments (I love the flute). The band’s long-time singer went solo in 2019, and they are now fronted by 20-year-old Mali Makhoba, an very charismatic singer who describes herself as “just a girl from the township”. This is a very uplifting gig that draws a huge crowd to the relatively small Village Stage. They finish with their hit ‘Waka Waka (This Time For Africa)’, which they recorded with Shakira on vocals for the World Cup in 2010.   6. MÁDÉ KUTI (Nigeria) - Big Top   Son of Femi Kuti, grandson of Fela Kuti. 30-year-old Mádé Kuti is a multi-instrumentalist, singer and bandleader. He has a stellar band with him, including two energetic dancers, and together they put on a fabulous show. I saw Femi Kuti on the Womad main stage a few years ago, but I have to admit I enjoyed Mádé more. He pays tribute to his father and grandfather (he covers ‘Trouble Sleep Yanga Wake Am’), takes his place amongst the brass section so that other band members can solo, and brings his reluctant wife on stage for a dance (“She hates it when I do that!”).   7. SABINE MCCALLA (USA) - Village Stage   Sabine McCalla is from New Orleans, of Haitian descent, and the sister of Leyla McCalla, who played a great set at Womad 2024. Sabine is accompanied by a guitar player and her laid-back songs are perfect for an early afternoon set in near tropical weather. “Aligators are circling round Lake Pontchartrain”… I love that line from her song ‘Baby please don’t go’.   8. ANNIE AND THE CALDWELLS (USA) - World Stage   More music from the South, this time from Mississippi. Annie Caldwell played Womad a few years ago with the Staples Junior Singers. This time she has brought her family band, with three of her daughters singing. It is a slightly slicker affair and I have to admit I thought the gospel from the older group was even better.   9. MOHAMMED REZA MORTAZAVI (Iran) - Big Top   Mohammed is a percussionist extraordinaire. He plays an entire one hour set on a Persian drum that looks not unlike a bodhrán. It is incredible how many different sounds he gets out of this single instrument, just by using his two hands. His was a late show and by that time I had been up since 5 a.m. so I was struggling against sleep a little.   10. RUST (Lebanon / Syria ) - Sunflower Tent   Rust are Petra from Lebanon and Hany from Syria. They are based in Prague and they call their music electro tarab. I like Petra’s vocals very much, but would have loved to know a bit more about the songs. Hany stands behind a deck with equipment. Many of the songs build and build and end in banging techno, which goes down well at the midnight slot they occupy. Do check out their EP ‘Masaf’.   Disappointment:   Tian Qiyi (UK).  A band of two brothers, sons of Jah Wobble. Their mother is Chinese and there is a strong Chinese influence in their music. I had listened to their album ‘Red Mist’ and had high expectations, but found them disappointing live. The guys were playing and singing live, but everything else was recorded.    Would liked to have seen: Yegor Zabelov, accordion (Belarus) Bitoi, Scandi-folk with electronica (Sweden) Lemoncello (Ireland) Stafford Campbell (UK) Yasmine Hamdan (singer from Soapkills, Lebanon)   Heard good reports from fellow volunteers about: Barrington Levy (reggae/dancehall veteran, Jamaica) Wild Wild Women (hip hop girls from Mumbai, India) Ta Dhom Project (hip hop with percussion, India)   Womad 2027 will be from 23-26 July. www.womad.co.uk for tickets.   Helen.
    • Yeah I've seen the news he's off to Arsenal and do have a lot of musings. As said, it really feels like if tapping up was something people cared about that this could have potential to be seen as such at least, but I also agree that this summer, the board have been too feeble in resisting interest in our best players and need someone better able to tell the big fish to do one like others have. It's particularly galling as it feels that Arsenal showed a lot of disrespect with the use of intermediaries to do dirty work and the first offer that was pretty much what we paid to sign Bruno from Lyon 4 1/2 years ago.   It's definitely grating as well that Bruno seemed to go all in on making out he wanted to be a hero then pretty much used some of Isak's tactics to force an exit. Which means he's probably earned boos when Arsenal come to Tyneside in November. I'm not saying that for grandstanding - players come and go and I have no doubt Arsenal are offering more money and more chances of trophies in the next 2/3 years. But the player hasn't helped himself imo.    But it is what it is. This is a pretty extreme reset and means that every decision as far as incomings goes has to be flawless. Whether I'm expecting it to be so after last year's debacle is of course another matter. At the very least the belated new manager will have a lot to do. In a way I think it's a good thing it won't be Howe trying to replace Bruno though given our record without him was so bad and the tactical choices feel like they may end up leaning into a style that worked with him had Howe stuck around. 
  • Featured Products

  • Hot Topics

  • Latest Tourdates

×
×
  • Create New...