Jump to content

Don't Miss a Beat

Join the UK's most passionate festival community. Keep up with the latest conversations, line-up rumours, and music news.

250,000+ Members

Connect with a massive network of fellow festival-goers.

Lively Discussions

Thousands of active topics on music, campsites, and tips.

Hot Rumours & News

Hear about secret sets and lineup drops before anyone else.

Create Free Account
OR
  • Sign Up!

    Join our friendly community of music lovers and be part of the fun 😎

Electronic/Dance Acts/DJs


Supernintendo Chalmers

Recommended Posts

  • Replies 181
  • Created
  • Last Reply

Top Posters In This Topic

my mate said something about this but i can't find any news on it.

edit: ah here it is, http://buggedoutweekender.net/?p=33

Wonder if it will make a big difference to the live shows

Not sure how i might feel about this. Part of me would be wondering if it is different, is it lacking something and if it isn't how much of their show really is live. The other part of me would just think, f**k it , there are pretty lights and chems tunes playing

Link to comment
Share on other sites

of the times i've seen them, it could well have been 1 of them there for all i was aware, it's hard enough to see people on stage, let alone distinguish exactly what bits they're doing live, especially without the camera on them/overhead.

as long as there's Chems tunes and their usual great visuals, then it'll be a good show.

Link to comment
Share on other sites

it won't make any difference to the live show, i think a lot of it is pre recorded - how can it not be really? they've been working with a new live video / art guy to make the show as good as ever, i think i've read!

i mean they probably trigger the songs starting and ending and how they sync with the light show but i don't reckon a right lot else to be honest.

Tom Rowlands has been doing some production and remixing on his own on Erol Alkan's Phantasy label which i presume was a precursor to the new CB's stuff. He is the more active one. TBH the one that isn't touring (ed) a right prick on twitter i had to stop following him lol.

Edited by Memory Man
Link to comment
Share on other sites

it won't make any difference to the live show, i think a lot of it is pre recorded - how can it not be really? they've been working with a new live video / art guy to make the show as good as ever, i think i've read!

i mean they probably trigger the songs starting and ending and how they sync with the light show but i don't reckon a right lot else to be honest.

Tom Rowlands has been doing some production and remixing on his own on Erol Alkan's Phantasy label which i presume was a precursor to the new CB's stuff. He is the more active one. TBH the one that isn't touring (ed) a right prick on twitter i had to stop following him lol.

I wouldn't say any of it was pre-recorded. My guess is each sound element/sample will be looped and assigned to a pad then they'd just trigger it when they need to. Gives them some freedom to tweak and suite for a live performance then.

Never seen the Chems but seen Prodigy and Orbital and Glasto so this will add to the list of dance legends seen at Glasto if they do play.

Link to comment
Share on other sites

it won't make any difference to the live show, i think a lot of it is pre recorded - how can it not be really? they've been working with a new live video / art guy to make the show as good as ever, i think i've read!

i mean they probably trigger the songs starting and ending and how they sync with the light show but i don't reckon a right lot else to be honest.

Tom Rowlands has been doing some production and remixing on his own on Erol Alkan's Phantasy label which i presume was a precursor to the new CB's stuff. He is the more active one. TBH the one that isn't touring (ed) a right prick on twitter i had to stop following him lol.

i agree about Ed on Twitter. I'm sure they are still working with the same art guy.

They will put hours into getting the live shows ready and of course they will have the clips ready for a show but they do manipulate them on the fly. So much work goes into live electronic music, it annoys me when people assume they just press play and stand about twiddling knobs and pushing faders for show.

Link to comment
Share on other sites

it won't make any difference to the live show, i think a lot of it is pre recorded - how can it not be really? they've been working with a new live video / art guy to make the show as good as ever, i think i've read!

i mean they probably trigger the songs starting and ending and how they sync with the light show but i don't reckon a right lot else to be honest.

Tom Rowlands has been doing some production and remixing on his own on Erol Alkan's Phantasy label which i presume was a precursor to the new CB's stuff. He is the more active one. TBH the one that isn't touring (ed) a right prick on twitter i had to stop following him lol.

The stuff Tom has released on Phantasy has been amazing, hopefully the new Chems stuff is along the same vein.

Speaking of Phantasy, hopefully Erol is back at Glasto this year, been very much missed the last couple.

Edited by marketh
Link to comment
Share on other sites

They will put hours into getting the live shows ready and of course they will have the clips ready for a show but they do manipulate them on the fly. So much work goes into live electronic music, it annoys me when people assume they just press play and stand about twiddling knobs and pushing faders for show.

I've stood up for electronic performances for years, argued very very hard that it's not just a bloke pushing a button, but it's really hard to defend stuff like this.

Link to comment
Share on other sites

i agree about Ed on Twitter. I'm sure they are still working with the same art guy.

They will put hours into getting the live shows ready and of course they will have the clips ready for a show but they do manipulate them on the fly. So much work goes into live electronic music, it annoys me when people assume they just press play and stand about twiddling knobs and pushing faders for show.

Exactly. For an act with a sound as big and as dense as The Chemical Brothers, of course some work is going to go in before the show, but that's like complaining that Arcade Fire didn't tune their instruments during their set.

Link to comment
Share on other sites

I would imagine the live show is largely just a whole series of midi-triggers linked into Ableton? The audiovisual side of things will be all sorted long in advance but I would think the live audio part of it is just them hitting play on various different elements of the track - then with various helpful fx units they can manipulate each element as part of the 'performance'

I'm a huge fan of theirs to be honest and would absolutely love to see them playing in 2015.

Link to comment
Share on other sites

Exactly. For an act with a sound as big and as dense as The Chemical Brothers, of course some work is going to go in before the show, but that's like complaining that Arcade Fire didn't tune their instruments during their set.

What I'm getting at is that the same amount of time and practice will go into their show as say Arcade Fire but lots of people assume they just turn up and 'push the button' and don't do much else. They need to know their queues and musical knowledge just the same.
Link to comment
Share on other sites

The stuff Tom has released on Phantasy has been amazing, hopefully the new Chems stuff is along the same vein.

Speaking of Phantasy, hopefully Erol is back at Glasto this year, been very much missed the last couple.

I've heard 'The musics coming through me' and 'nothing but pleasure', anything else you'd recommend?

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

Loading...
  • Recently Browsing   0 members

    • No registered users viewing this page.

  • Latest Activity

    • I wonder if they had that vote again they'd vote differently, seeing how successful other mayors like Burnham have been?
    • Doesn't surprise me. West Yorkshire had a vote if they wanted a mayor in 2012 and voted no. The government then ignored the vote and announced the position anyway in 2016.
    • Basement Jaxx 110  Billy Bragg 90 Chase & Status 150 MAX CMAT 150 MAX  Confidence Man 130 David Byrne 150 MAX Everything Everything 110 Faithless 75  Fatboy Slim 100 Four Tet 130 (+5) Garbage 120  GOAT 85 (-5) Greentea Peng 125  Joy Crookes 110  Kneecap 125 Lorde 150 MAX The Maccabees 120  Nile Rodgers & Chic 130 The Prodigy 150 MAX Pulp 150 MAX RAYE 100 Richard Ashcroft 110  Scissor Sisters 110  Self Esteem 140  The Streets 100  Super Furry Animals 100 Underworld 150 MAX Wilco 40  Wolf Alice 150 MAX
    • Also agree, it does feel that there isn’t much between the Mercury Prize and the Brit Awards these days.   This part sums it up for me “The complaint isn’t so much about the quality of the music, but more the disappearance of spaces for outsider voices in British music. With streaming algorithms feeling increasingly geared towards big names, and social media acting as a minefield, the Mercury’s pivot to the mainstream closes another door in the face of creative independence.”
    • In Manchester 22.7%. Jesus.
  • Featured Products

  • Hot Topics

  • Latest Tourdates

×
×
  • Create New...