Jump to content

Don't Miss a Beat

Join the UK's most passionate festival community. Keep up with the latest conversations, line-up rumours, and music news.

250,000+ Members

Connect with a massive network of fellow festival-goers.

Lively Discussions

Thousands of active topics on music, campsites, and tips.

Hot Rumours & News

Hear about secret sets and lineup drops before anyone else.

Create Free Account
OR
  • Sign Up!

    Join our friendly community of music lovers and be part of the fun 😎

Sziget 2026


#1SzigetFan

Recommended Posts

22 minutes ago, billybigballs said:

I mean, it reads like the script of a TV series. 

 

Fingers crossed.

it's a bit like when there's a football club about to go bankrupt and there are deadlines and everything, the season's about to start, and there's a wealthy investor who happens to be a fan and it's pretty much an all or nothing situation

Link to comment
Share on other sites

14 minutes ago, mathuska said:

If it would really happen, it would be the weakest lineup for long while

Let’s wait and see. Week lineup is better than no lineup.

 

looking forward to all of the original nullszaldo(zero balance) jokes.  

Link to comment
Share on other sites

3 hours ago, Sziget2025_Leaks said:

49 3131 686F7065 3135 796F75 38 6D697373 3236 6D65

The GASP i let out when i scrolled and saw this. Been busy all day so I'm just catching up now. 

 

Not sure I can personally make it to the island again this year but after a great first year this year I'm yearning to be back at this beautiful festival and im so glad it could be possible for it to carry on in whatever form necessary. I have never felt this way about a festival, especially not on first visit, so I'm glad this isnt goodbye. Maybe I need to start planning for 2027... 

Link to comment
Share on other sites

45 minutes ago, mathuska said:

If it would really happen, it would be the weakest lineup for long while

I'm not sure about that. Especially if it's one less day for the same price. I'm gladly taking shrinkflation here if that means they're not going out of business and we get some kind of quality.

Link to comment
Share on other sites

1 hour ago, mathuska said:

If it would really happen, it would be the weakest lineup for long while

Great bit of positivity there.....

 

I wonder whether, based on what Kadar said recently, they will try to call in some favours and we will get some acts who are 'friends' of the festival.

Link to comment
Share on other sites

14 minutes ago, billybigballs said:

Great bit of positivity there.....

 

I wonder whether, based on what Kadar said recently, they will try to call in some favours and we will get some acts who are 'friends' of the festival.

 

Dua Lipa hello 👋

Link to comment
Share on other sites

 

1 hour ago, billybigballs said:

Great bit of positivity there.....

 

I wonder whether, based on what Kadar said recently, they will try to call in some favours and we will get some acts who are 'friends' of the festival.

The Prodigy had 4 gigs at Sziget in 9 years, they were also one of the first big international acts to ever play at Sziget. They're the original Macklemore 😃 Would be funny if they returned the same year as Gerendai.

Link to comment
Share on other sites

Tamás Kádár, Radio 1 this morning:

 

With this owner there is no festival next year, we have a process now to “bring Sziget home”. It’s a complicated and tough process but I really hope we’re seeing the end of it very soon and will have positive updates.

 

On what went wrong:

They’ve got a strategy (the American company) and it’s very much and almost only about who’s playing at a festival. They are focusing their spendings and budget on getting the best possible line up, that either works or don’t, for Sziget it’s not a good strategy. We’ve been arguing with our owners about this for years. A French kid is not going to fly over to Budapest to see these acts because they can see these names in France as well in their own environment. You can spend a lot on the line up you’ll end up with the same names ad a French or Dutch festival. We should be special in the atmosphere and the vibes, in all these things that we were the best at until 2018 in Europe. These things are not as relevant for them (for these current foreign owners). (…) Instead of this, all the resources and money from the owner went on, let’s say, getting Ed Sheeran. It’s a very great show, but since covid, you’ll get this at a stadium gig anywhere. If you do follow this trend and you end up organizing gigs instead of festivals, then you’ll lose your audience. And our problem is not that we don’t have any day ticket buyers who want to see shows, it’s the international, full pass buyers that we don’t get as much as we used to. I’m not saying this can’t be helped at all, but if we want to get out of this hole, this is the only direction to go through. Show off the special values of Sziget and bring back that number of foreign visitors we had before covid.

 

This spring, the owner of the company that owns us changed. That is an important factor that is causing these changes, and what we tell them is we don’t want a year without Sziget, not a single one, it’s a major festival in Europe for 30+ years. The owners don’t have any more festivals in this region.

 

On the future:

I can’t talk about the details of the deal until they’re closed, but with Károly Gerendai we try to create a team that has an interest and also passion to keep Sziget alive.

 

‘Is there a chance it’s not organized next year but will be in the future?’

We really don’t want that, due to many reasons, it would be tough to get back our international crowd that way. If it’s not sure and certain that there is Sziget every year it’s very hard to get back from there. For Glastonbury it’s okay, but they’ve been doing that for ages, but we can’t tell people that we skip a year but buy your pass for 2027 because we swear we’ll organize it, it doesn’t work like that.

 

On booking artists:

We do negotiate with artists as we speak. We’ve got promising discussions with them. But we can only make things official when this process is closed - I hope that’s done in a week or two.

 

On the city council:

Ages ago we had a conflict with the council about how much we should pay them. We made a study with KPMG, it turns out Sziget generates a strong and visible part of the Hungarian GDP. So it has a lot of added value to the city.

 

‘We are rooting for you guys’

‘Thank you, come and spend 6 nights at Sziget, that’s the way you help us the most! Every little counts!’

Link to comment
Share on other sites

2 minutes ago, kristofm said:

 

 

On what went wrong:

They’ve got a strategy (the American company) and it’s very much and almost only about who’s playing at a festival. They are focusing their spendings and budget on getting the best possible line up, that either works or don’t, for Sziget it’s not a good strategy. We’ve been arguing with our owners about this for years. A French kid is not going to fly over to Budapest to see these acts because they can see these names in France as well in their own environment. 

 

Very true that.

 

I'd rather go to Sziget with an ok lineup, rather than a Werchter or Mad Cool with a good lineup.

Link to comment
Share on other sites

36 minutes ago, kristofm said:

Tamás Kádár, Radio 1 this morning:

 

With this owner there is no festival next year, we have a process now to “bring Sziget home”. It’s a complicated and tough process but I really hope we’re seeing the end of it very soon and will have positive updates.

 

On what went wrong:

They’ve got a strategy (the American company) and it’s very much and almost only about who’s playing at a festival. They are focusing their spendings and budget on getting the best possible line up, that either works or don’t, for Sziget it’s not a good strategy. We’ve been arguing with our owners about this for years. A French kid is not going to fly over to Budapest to see these acts because they can see these names in France as well in their own environment. You can spend a lot on the line up you’ll end up with the same names ad a French or Dutch festival. We should be special in the atmosphere and the vibes, in all these things that we were the best at until 2018 in Europe. These things are not as relevant for them (for these current foreign owners). (…) Instead of this, all the resources and money from the owner went on, let’s say, getting Ed Sheeran. It’s a very great show, but since covid, you’ll get this at a stadium gig anywhere. If you do follow this trend and you end up organizing gigs instead of festivals, then you’ll lose your audience. And our problem is not that we don’t have any day ticket buyers who want to see shows, it’s the international, full pass buyers that we don’t get as much as we used to. I’m not saying this can’t be helped at all, but if we want to get out of this hole, this is the only direction to go through. Show off the special values of Sziget and bring back that number of foreign visitors we had before covid.

 

This spring, the owner of the company that owns us changed. That is an important factor that is causing these changes, and what we tell them is we don’t want a year without Sziget, not a single one, it’s a major festival in Europe for 30+ years. The owners don’t have any more festivals in this region.

 

On the future:

I can’t talk about the details of the deal until they’re closed, but with Károly Gerendai we try to create a team that has an interest and also passion to keep Sziget alive.

 

‘Is there a chance it’s not organized next year but will be in the future?’

We really don’t want that, due to many reasons, it would be tough to get back our international crowd that way. If it’s not sure and certain that there is Sziget every year it’s very hard to get back from there. For Glastonbury it’s okay, but they’ve been doing that for ages, but we can’t tell people that we skip a year but buy your pass for 2027 because we swear we’ll organize it, it doesn’t work like that.

 

On booking artists:

We do negotiate with artists as we speak. We’ve got promising discussions with them. But we can only make things official when this process is closed - I hope that’s done in a week or two.

 

On the city council:

Ages ago we had a conflict with the council about how much we should pay them. We made a study with KPMG, it turns out Sziget generates a strong and visible part of the Hungarian GDP. So it has a lot of added value to the city.

 

‘We are rooting for you guys’

‘Thank you, come and spend 6 nights at Sziget, that’s the way you help us the most! Every little counts!’

 

I think this is the most insightful set of information so far. He's really not holding back on his dislike of the current owners (but why should he?)

 

I'm positive for next year - just wish they'd release confirmed dates of 12 to 17 August because I have a cracking accommodation booked at a bargain price as all the hoteliers in Budapest seem certain it's the week before! And have lowered their prices for the following week accordingly!

 

 

 

 

Link to comment
Share on other sites

48 minutes ago, billybigballs said:

Exactly, we could see most of the Sziget line-up in recent years at either Reading or Leeds but we don't, we head to Budapest.

Its exactly that. I'm a regular R&L goer, probably always will be as someone from Reading. But it would never live up to what I experienced at Sziget, in fact coming home to almost head straight to Reading almost made Reading fall flat. Similar lineups but the people and the atmosphere made Sziget truly magic

Link to comment
Share on other sites

10 minutes ago, dhtjmnd12 said:

Out of interest how did you figure out the dates from what leaks has said? I'm interested by the puzzle

Idk I told chatgpt to unlock that code and it included the numbers (26, 08, 11-15 or something) + a text like "hope you missed me".

And there was a similar clue about 2 years ago when the date of the festival changed.

Edited by kristofm
Link to comment
Share on other sites

2 minutes ago, kristofm said:

Idk I told chatgpt to unlock that code and it included the numbers (26, 08, 11-15 or something) + a text like "hope you missed me".

And there was a similar clue about 2 years ago when the date of the festival changed.

Now that’s really clever lol, I didn’t know AI could do that! I’ve just done the same with copilot and it translated to:

 

“I 11 Hope 15 you 8 miss 26 me”

 

so yeah as you say potentially 11-15/08/26

Link to comment
Share on other sites

5 hours ago, kristofm said:

Tamás Kádár, Radio 1 this morning:

 

With this owner there is no festival next year, we have a process now to “bring Sziget home”. It’s a complicated and tough process but I really hope we’re seeing the end of it very soon and will have positive updates.

 

On what went wrong:

They’ve got a strategy (the American company) and it’s very much and almost only about who’s playing at a festival. They are focusing their spendings and budget on getting the best possible line up, that either works or don’t, for Sziget it’s not a good strategy. We’ve been arguing with our owners about this for years. A French kid is not going to fly over to Budapest to see these acts because they can see these names in France as well in their own environment. You can spend a lot on the line up you’ll end up with the same names ad a French or Dutch festival. We should be special in the atmosphere and the vibes, in all these things that we were the best at until 2018 in Europe. These things are not as relevant for them (for these current foreign owners). (…) Instead of this, all the resources and money from the owner went on, let’s say, getting Ed Sheeran. It’s a very great show, but since covid, you’ll get this at a stadium gig anywhere. If you do follow this trend and you end up organizing gigs instead of festivals, then you’ll lose your audience. And our problem is not that we don’t have any day ticket buyers who want to see shows, it’s the international, full pass buyers that we don’t get as much as we used to. I’m not saying this can’t be helped at all, but if we want to get out of this hole, this is the only direction to go through. Show off the special values of Sziget and bring back that number of foreign visitors we had before covid.

 

This spring, the owner of the company that owns us changed. That is an important factor that is causing these changes, and what we tell them is we don’t want a year without Sziget, not a single one, it’s a major festival in Europe for 30+ years. The owners don’t have any more festivals in this region.

 

On the future:

I can’t talk about the details of the deal until they’re closed, but with Károly Gerendai we try to create a team that has an interest and also passion to keep Sziget alive.

 

‘Is there a chance it’s not organized next year but will be in the future?’

We really don’t want that, due to many reasons, it would be tough to get back our international crowd that way. If it’s not sure and certain that there is Sziget every year it’s very hard to get back from there. For Glastonbury it’s okay, but they’ve been doing that for ages, but we can’t tell people that we skip a year but buy your pass for 2027 because we swear we’ll organize it, it doesn’t work like that.

 

On booking artists:

We do negotiate with artists as we speak. We’ve got promising discussions with them. But we can only make things official when this process is closed - I hope that’s done in a week or two.

 

On the city council:

Ages ago we had a conflict with the council about how much we should pay them. We made a study with KPMG, it turns out Sziget generates a strong and visible part of the Hungarian GDP. So it has a lot of added value to the city.

 

‘We are rooting for you guys’

‘Thank you, come and spend 6 nights at Sziget, that’s the way you help us the most! Every little counts!’

 

This alone brought me back on the hype train I jumped off seven years ago.

 

I’m genuinely glad to realize that my disillusionment with Sziget wasn’t necessarily due to the demographic shift, but rather to the company that owned it trying to water down the formula because “one size fits all” is cheaper than actually understanding an asset through its business case.

 

I’m honestly and deeply disgusted by how investment funds, whose only purpose should be to make an investment thrive, have become so obsessed with short-term returns and buy-sell mechanics that everything they touch ends up dry and soulless.

 

Wishing well.

 

 

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

Loading...

  • Latest Activity

    • It was awful during Father John Misty and I was close to the front. People just shouting and laughing their f-ing heads off about nothing in particular and being louder than the bloody stage.
    • Other things I noted yesterday, away from the obvious…   Positives: - an extra water point towards the back left of the main stages has appeared, which I believe is new for this year (and was much needed) - handing out free ponchos was a good touch  - caroline were fantastic. I’d never been in the Auditori Rockdelux before, it’s a wonderful venue and a great venue if you fancy a more chilled out environment  Negatives: - the talkers. I know it’s always bad here (and most festivals nowadays) but f**k me people wouldn’t shut up yesterday. I wonder if it was partly as a result of people being at artists they had little interest in (due to rain limiting their options), although it wasn’t great during blood orange. We’ll be making an effort to get a spot nearer the front for anyone we particularly care about over the weekend  - not enough staff around (and the ones that are there are largely useless). Most other festivals have them everywhere and are happy to help 
    • Alkaline Trio 90 Barrington Levy 95 Basement Jaxx 120 Billy Bragg 100 Billy Ocean 100 The Black Keys 90 Carl Cox 100 Chase & Status 115 Chelsea Wolfe 85  CMAT 105 Confidence Man 150 MAX Dave 25 David Byrne 145 Disclosure 65  Everything Everything 105 Faithless 80  Fatboy Slim 100 Four Tet 125 (+5) Funeral for a Friend 45 (-5) Garbage 100 GOAT 105  Greentea Peng 120 Happy Mondays 80 Hollie Cook 90 Jorja Smith 100 José González 100 Joy Crookes 120  Judas Priest 90 Kasabian 80  Kneecap 110  The Last Dinner Party 25 Levellers 85  Limp Bizkit 35  Linkin Park 90 Lorde 120 Madness 75  The Maccabees 100 Neck Deep 135  Nile Rodgers & Chic 100 Overmono 100 Pixies 65 The Prodigy 130  Pulp 150 MAX RAYE 100 Ren 85 Richard Ashcroft 95  Say She She 85 Scissor Sisters 120 Self Esteem 120 Skunk Anansie 100 Stereolab 120  The Streets 110 Super Furry Animals 110 Tems 50  Thundercat 90 Tom Jones 70  Two Door Cinema Club 20 Tyler, the Creator 75 Underworld 115 Wet Leg 90  Wilco 95  The Wombats 90 Wolf Alice 135
    • Alkaline Trio 90 Barrington Levy 95 Basement Jaxx 120 Billy Bragg 100 Billy Ocean 100 The Black Keys 90 Carl Cox 100 Chase & Status 115 Chelsea Wolfe 85  CMAT 105 Confidence Man 150 MAX Dave 25  David Byrne 145 Disclosure 65  Everything Everything 105 Faithless 80  Fatboy Slim 100 Four Tet 120  Funeral for a Friend 50 Garbage 100 GOAT 105  Greentea Peng 120 Happy Mondays 80 Hollie Cook 90 Jorja Smith 100 José González 100 Joy Crookes 120  Judas Priest 90 Kasabian 80  Kneecap 110  The Last Dinner Party 25 (-10) Levellers 85  Limp Bizkit 35  Linkin Park 90 Lorde 120 Madness 75  The Maccabees 100 Neck Deep 135  Nile Rodgers & Chic 100 Overmono 100 Pixies 65 The Prodigy 130  Pulp 150 MAX RAYE 100 Ren 85 Richard Ashcroft 95  Say She She 85 Scissor Sisters 120 Self Esteem 120 Skunk Anansie 100 Stereolab 120  The Streets 110 Super Furry Animals 110 Tems 50  Thundercat 90 Tom Jones 70  Two Door Cinema Club 20 Tyler, the Creator 75 Underworld 115 Wet Leg 90  Wilco 95  The Wombats 90 Wolf Alice 135
    • Alkaline Trio 90 Barrington Levy 95 Basement Jaxx 120 Billy Bragg 100 Billy Ocean 100 The Black Keys 90 Carl Cox 100 Chase & Status 115 Chelsea Wolfe 85  CMAT 105 Confidence Man 150 MAX Dave 25 (-10) David Byrne 145 Disclosure 65  Everything Everything 105 Faithless 80  Fatboy Slim 100 Four Tet 120  Funeral for a Friend 50 Garbage 100 GOAT 105  Greentea Peng 120 Happy Mondays 80 Hollie Cook 90 Jorja Smith 100 José González 100 Joy Crookes 120  Judas Priest 90 Kasabian 80  Kneecap 110  The Last Dinner Party 35 Levellers 85  Limp Bizkit 35  Linkin Park 90 Lorde 120 Madness 75  The Maccabees 100 Neck Deep 135  Nile Rodgers & Chic 100 Overmono 100 Pixies 65 The Prodigy 130  Pulp 150 MAX RAYE 100 Ren 85 Richard Ashcroft 95  Say She She 85 Scissor Sisters 120 Self Esteem 120 Skunk Anansie 100 Stereolab 120  The Streets 110 Super Furry Animals 110 Tems 50  Thundercat 90 Tom Jones 70  Two Door Cinema Club 20 Tyler, the Creator 75 Underworld 115 Wet Leg 90  Wilco 95  The Wombats 90 Wolf Alice 135
  • Featured Products

  • Hot Topics

  • Latest Tourdates

×
×
  • Create New...