Jump to content

Don't Miss a Beat

Join the UK's most passionate festival community. Keep up with the latest conversations, line-up rumours, and music news.

250,000+ Members

Connect with a massive network of fellow festival-goers.

Lively Discussions

Thousands of active topics on music, campsites, and tips.

Hot Rumours & News

Hear about secret sets and lineup drops before anyone else.

Create Free Account
OR
  • Sign Up!

    Join our friendly community of music lovers and be part of the fun 😎

Football 2011-2012


Guest eFestivals

Recommended Posts

  • Replies 8.3k
  • Created
  • Last Reply

Top Posters In This Topic

  • eFestivals

    1469

  • The Nal

    1095

  • kaosmark2

    1095

  • strummer77

    896

  • Admin

Not sure about this, I'm wondering if the delay is due to the FA checking their legal position.

from what's been reported (which might not be fully accurate of course) both before, during and after the hearing & verdict, it seems to be the case that the only properly-damning evidence against Suarez is Evra's word.

Suarez has admitted using the word 'negro', but it's use was alongside another word in Spanish - which puts 'negro' in the Spanish context of meaning just 'black' (in a descriptive sense).

While Suarez's intention might have been derogatory by his choice of words, only he can know that with any certainty, and a defence of "I was speaking my native tongue of Spanish, and using 'negro' as it's used in my native land" is a more than reasonable defence I would think without any further supporting evidence against him.

That's not me saying he's not guilty, that's me saying I find it difficult to accept the verdict as just on what is supposedly the evidence.

And that's not me saying that Evra didn't feel genuinely racially abused; but his feeling of being abused is as much set by his cultural circumstances as him not being abused would be set for Suarez by his own cultural circumstances.

.using racist language in an offensive way is illegal and so the FA has to consider if it does find Suarez innocent what would happen if Evra took it to the police.

nope, I don't think that's of any relevance to things as they stand. The levels of evidence and proof and the offence itself are all set by FA rules and not anything to do with formal legal standing.

I'd say the police complaint is likely to have a bearing on the Terry/Ferdinand case tho, because that complaint has been made before an FA hearing, and I can't see how the FA would feel able to pursue that charge against Terry if the CPS decide against prosecuting him.

There is also a possible minefield of the word negrito then being given legitamacy in this country for anyone to use, fans, other players etc..

it seems to be the case that the word used (or rather, admitted to) was 'negro' and not 'negrito', from what's been reported.

If someone calls someone else a fucking negrito down the pub on a Friday night and they complain to the police what the hell happens then? Does the FA verdict have any baring on the police? If the police found the guy guilty it would put the FA in an impossible position then going forward, if we have issues with racist abuse in Eastern Europe during Euro 2012 for example.

If someone used it down the pub they couldn't reasonably claim a cultural angle in the way that Suarez appears to have done, so I don't think that's got any bearing on anything.

Also, as I've said above, what the FA have done is of no relevance to formal legal matters.

Link to comment
Share on other sites

  • Admin

My opinion is that is not acceptable for players to use cultural differences as an excuse for behaviour. If you move to a country you have to be willing to except the cultural differences in the country which you move and act accordingly. It should be up to the clubs to educate players about this.

In an ideal world I agree with what you say there.

But it's not an ideal world, and we all should be able to recognise know how easy it can be to upset the local sensitivities abroad over something we'd do with little thought when in the UK.

That's not necessarily any excuse for breaking 'local rules', but it does give reasons for why it's not the same 'bad behaviour' that it would be rightly considered to be if done by a local.

This punishment however will be a farce if as I expect terry ends up getting no suspension at all.

the fact of a police complaint having been made over that ties the hands of the FA to some extent I think.

I think the FA would find it hard to pursue the charge against Terry is the CPS decide there's no case to answer in a formal legal court, or if the case is pursued and Terry is found not guilty.

Link to comment
Share on other sites

  • Admin

Suarez: "Today is a very difficult and painful day for both me and my family. Thanks for all the support, I'll keep working!"

Liverpool: "We find it extraordinary that Luis can be found guilty on the word of Patrice Evra alone when no-one else on the field of play. It is our strong held belief, having gone over the facts of the case, that Luis Suarez did not commit any racist act."

Have the FA got it wrong?

Not necessarily.

If the judgement had gone the other way, I'd have expected similar to come from the other side.

It's one of those things where the cultural angles means it's possible for Evra to genuinely feel racially abused while Suarez feels that no racial abuse happened.

I've said all along that it's probably too culturally messy to come out with what can regarded as a fair verdict by both sides.

Link to comment
Share on other sites

  • Admin

They've gone down the "some of his best mates are black" route:

oh c'mon - that's a bit unfair. On a British cultural basis Suarez himself is 'black'.

(for a bit of context: my niece is mixed race, with whiter skin than Suarez has. If you want to tell her she's not black I suggest you wear face protection. ;))

Edited by eFestivals
Link to comment
Share on other sites

  • Admin

That statement surely didn't come from the club??

This bit made me laugh

"We would also like to know when the FA intend to charge Patrice Evra with making abusive remarks to an opponent after he admitted himself in his evidence to insulting Luis Suarez in Spanish in the most objectionable of terms. Luis, to his credit, actually told the FA he had not heard the insult."

since when is there a charge for insulting someone "in the most objectionable terms" :lol:

those "objectionable terms" are supposedly something racist that Evra said himself and freely admitted to at the hearing, while Suarez himself told the hearing that he didn't hear those words.

While it's not been clear what those words were, the inference I've taken from what I've read about is that the words being referred to aren't the "you South American" that Evra is supposed to have said - which are in themselves racist under British law.

(the reason for my thinking that it's not the "you south american" words is because I believe those were said in English while the "objectionable" words were supposedly in Spanish).

Link to comment
Share on other sites

  • Admin

I think this is the best reasoning I have seen so far and its where my feelings sit... Pending appeal of course :)

Piara Powar, executive director of Football Against Racism in Europe (Fare), believes the governing body's decision is a landmark judgement.

He told BBC Radio 5 live: "This is the first time we have seen an insight into what is said between players on the pitch, and what may have been commonplace between players in the past.

"This is a big moment and I would say that the FA have dealt with this in the right way. They have taken their time and taken independent advice.

"No one takes any pleasure from seeing him found guilty like this but it is an interesting judgement."

Powar said Fare has taken advice on the abusive word used by Suarez and the context of similar words in South American dialect.

He added: "If it is used in a friendly fashion then it is acceptable, it turns immediately to a hostile meaning if it used as an offensive word.

"Taking the context of that game, it is difficult to see how he would have used it in a friendly way."

While from one angle I agree with all of that, there's another angle to it all.

If players are 'sledging' each other on the pitch, then it only works if you say something which offends the other player.

Someone might say "your mother is a whore" (hello Materazzi), but how is that better than winding someone up by the using a racial slur? The only thing which puts a different slant on things is that the racial slur is considered completely socially unacceptable for historical reasons - but the depth of offence caused by either can be just as deep.

Link to comment
Share on other sites

  • Admin

I suppose the question is...

Is it ok for him to refer to Evra as being black... What did being black have to do with what was happening ?

Its seems a pretty iffy defence to me...

Context is everything.

While it might have been wrong, it becomes little more than tit-for-tat as a response to Evra's words of "you South American".

Both can be statements of fact; both can be racial slurs. It's the intent behind the use of the words that makes them bad or not.

Link to comment
Share on other sites

  • Admin

He has refereed to the colour of his skin 9 times in a match where they were clearly having a go at each other. Difficult for me to see it being anything lese other than racist.

Ignorance is no excuse.

What you mean is that Evra has CLAIMED that Suarez made racially based comments a number of times.

It appears to be the case that there's not the evidence to back that up, in a goal mouth during a corner when a number of TV cameras are focused on mostly-still players, and lots of other players are nearby yet none of them heard anything.

Evra claimed that it would be obvious, and it seems to have not been.

Evra is a person who has form for exaggerating claims against others.

None of that proves anything of course - proves anything EITHER WAY. All I'm pointing out here is that things might not be as you're taking them to be.

Things might become a little clearer if the full details are released - tho the FA are currently deciding whether they will be or not, which itself seems very strange for such a controversial case.

Link to comment
Share on other sites

  • Admin

Within a couple of days they have to provide Liverpool with a full report on the reasons as far as I know... That has also been reported in the press... Otherwise they wouldn't be able to work out if its worth appealing or not...

yep - but that's something different to releasing the same thing into the public domain.

I'm not sure if they do normally make them public, tho I'm under the impression that they do. But I read in one of the papers (I forget which now) this morning that they're considering not releasing this one.

Link to comment
Share on other sites

If they don't release the details of their findings then we've a shitstorm on our hands. Like all sane Reds fans I will support any judgement when based on solid evidence. If its one persons word against another that is insufficient to my mind at least.

If the Reds withdrew from the FA cup in protest should the findings be kept private I would support that 100%

Link to comment
Share on other sites

If they don't release the details of their findings then we've a shitstorm on our hands. Like all sane Reds fans I will support any judgement when based on solid evidence. If its one persons word against another that is insufficient to my mind at least.

Edited by The Nal
Link to comment
Share on other sites

In an ideal world I agree with what you say there.

But it's not an ideal world, and we all should be able to recognise know how easy it can be to upset the local sensitivities abroad over something we'd do with little thought when in the UK.

That's not necessarily any excuse for breaking 'local rules', but it does give reasons for why it's not the same 'bad behaviour' that it would be rightly considered to be if done by a local.

Link to comment
Share on other sites

  • Admin

Although, if they carry on with club statements like the one given, they could possible sour their own name as well...

Perhaps an apology for causing offence, a reaffirming that the player did not mean any racial offence and quietly serve the ban would of been /could be the best course of action for all concerned....

Hmmmm, it's a difficult one for the club, and I can see merit with taking either angle from what's in the public domain. Because LFC know details of the case which we don't, then it's perhaps the case that their strong stance is justified.

I can certainly see the point to their demand that Evra is also charged by the FA for what he is supposed to have admitted to within the hearing. And perhaps this would be the best outcome all-round, as it would change the public view of the incident into the context of two players bitching at each other, rather than as one of them being racist when it seems to be the case that the judgement is based on little more than the word of Evra.

Is anyone able to tell me how things work in regard to a charge against a player? Is evidence enough for the FA to make a charge without a complaint from a club or player? Would a complaint by LFC now be considered frivolous, a way of getting back at Evra?

Surely the FA should work on evidence? And it seems to be the case that they have the evidence for a charge against Evra too.

Link to comment
Share on other sites

If they don't release the details of their findings then we've a shitstorm on our hands. Like all sane Reds fans I will support any judgement when based on solid evidence. If its one persons word against another that is insufficient to my mind at least.

If the Reds withdrew from the FA cup in protest should the findings be kept private I would support that 100%

Link to comment
Share on other sites

Guest
This topic is now closed to further replies.
  • Recently Browsing   0 members

    • No registered users viewing this page.

  • Latest Activity

    • Tbf they sold out the mainland European shows that follow this UK tour more or less immediately so I guess much of Europe will be stadiums for them next summer regardless and they might want to bring any stadium bespoke production here, even if it's just one night at a London stadium or whatever.    I like the new album and wanted to see them again but £150 for a standing ticket is ridiculous and all the sub-£100 price categories sold out. So you know, would like to go but guess I'm waiting for any last minute dropouts. Tbf I would hazard a guess of these 4 UK shows in November that more tickets are sold than unsold and by the time of the show it'll be, if not a full house, close enough. 
    • I don't think it's out of the realm of possibility    It would feel like a bit of waste for their first set in the UK for 12 years be an hour and 10 mins as a sub    A lot of people will buy day tickets just for FNM
    • Very nice to read your review.  Here's mine.  I enjoyed it all so much that I bought a pre-sale ticket for 2027!   ____   WOMAD FESTIVAL 23-26 July 2026  Neston Park, Corsham, Wiltshere   Womad is back! The festival took a year off last year to recalibrate. They were moving to a new location, and no doubt the fact that so many festivals have ceased to exist as a result of financial problems in the current climate made it important for Womad to get things right going forward. And did they! The festival was a resounding success. Sold out, with brilliant music and smiling faces all around.    From 2007 until 2024 the festival was held at Charlton Park in Wiltshere. I went there six times.  Sometimes the festival clashed wth Cambridge Folk Festival, but since the pandemic I have found myself preferring Womad. It offers greater diversity. There are acts from all over the world and I feel I can trust the organisers to come up with stuff I will enjoy.    The new site is a beauty. Neston Park is an estate near Corsham.  Melksham is the nearest train station; Bath the nearest bigger town. The Real World studios are nearby in the village of Box. The weather was again very warm and the site thankfully has many shaded areas with trees. The camping fields offer enough space that people do not need to camp on top of each other. There are four main stages and best of all, programming is such that there was never any sound overspill. Toilets were mostly of the compost variety. The food I sampled was delicious, albeit expensive, and they had very nice Clear Head alcohol-free beer on tap, which predictably ran out on Saturday.    I went as an Oxfam volunteer, which benefits a good cause and was enjoyable as ever, but I have to admit that it was killing me how much I was missing that I wanted to be at, due to having to work. I was not able to participate in the many interesting workshops and presentations on offer. I am planning to go as a punter next year, and volunteer elsewhere where the lineup is less crucial. My shifts were in the camping fields. This was relatively easy due to the Womad festival goers being very well behaved (“You can’t go that way“; “Oh, I see”). I enjoyed spending time up on the fire tower, from where the view was great.   Peter Gabriel made an appearance at the World of Words stage. Lopa Kothari was on compere duty on the World Stage (the main stage), and for me a most welcome addition was Justin Adams compering the second stage - the Big Top. Justin is a fantastic guitarist who has collaborated with and produced many world music greats (Robert Plant, Tinariwen, Souad Massi, Sharon Shannon). Justin is so knowledgeable and enthusiastic, it was a real joy to have him in the Big Top all weekend, and I liked his unshouty style of presenting.   These were my musical highlights:   1. GANAVYA (India) - Big Top   Singer Ganavya is from New York, of Indian heritage, and she spent many years living in Tamil Nadu. The first striking thing when she walks onstage is how pregnant she is. She explains she is eight months. At times it looked like there might be a Womad baby. Ganavya is accompanied by a harpist and a cellist. Stunning music and great storytelling too. She is a graduate from Berklee College of Music and has worked as a teacher as well, which is evident from her engaging talk. She reminded me of Arooj Aftab, mostly because of her dry and self-deprecating sense of humour. Her show ended with a wonderful singalong traditional, the high point of the entire festival for me. I will certainly seek her music out further.   2. SEPPUKU PISTOLS (Japan) - World Stage   The Seppuku Pistols are an anarchist punk group with traditional instruments. There’s thirteen of them, different ages. They started in the middle of the crowd and then made their way over to the stage. Many of the members play percussion. The leader is an older guy, who spoke at length and with great conviction in Japanese, before yelling “translate!” to a band member. There was so much going on, sometimes you didn’t know where to look. I was near the front, but band members frequently went with instruments and all into the moshpit. At the same time someone could come crowdsurfing overhead. Apparently one of them broke his ankle, didn’t realise and finished the gig. “I think you all need to go and decompress”, Lopa Kothari said to the audience once it was over. Everybody left the main stage with big smiles, shaking their heads.   3. GANNA (Ukraine) - Sunflower Tent   Ganna is a Ukrainian singer, based in Berlin. She performs solo, standing behind a table with equipment. This is never my favourite set-up, however her voice, songs, stage presence and stories were so remarkable that I can get over the lack of a proper band. My shift partner saw her at the ‘Taste the World’ stage and told me she is equally good without the box of tricks. Her singing is not unlike Sámi joiking. Ganna’s singing was so impressive that everyone (finally!) stopped talking. Her music is an intriguing mix of traditional songs over very contemporary electronics. She spoke about the situation in Ukraine, including some very personal stories. I would have loved for this show to have been longer.   4. OUMOU SANGARÉ (Mali) - World Stage   The only artist on the lineup that I had seen before. The “Songbird of Wassoulou” has continued to release quality albums and I knew this was guaranteed to be good. Oumou was the final act on the main stage on Sunday; a fitting end to the festival. Her band are a mix of Mali-based and French musicians; the keyboardist stood out in particular. Oumou looks positively regal to begin with, but loosens up once she takes off her high heels. She addresses the crowd mostly in French. Sound was exceptionally good for this gig, though it has to be said it was good on the whole, with the exception of the Sunflower stage, which was a bit muddled at times.   5. FRESHLYGROUND (South Africa) - Village Stage   Freshlyground are an Afropop band from Capetown, who have been around since 2002. After seeing several performers with laptops on stage, it was a relief to see such a seasoned band with real instruments (I love the flute). The band’s long-time singer went solo in 2019, and they are now fronted by 20-year-old Mali Makhoba, an very charismatic singer who describes herself as “just a girl from the township”. This is a very uplifting gig that draws a huge crowd to the relatively small Village Stage. They finish with their hit ‘Waka Waka (This Time For Africa)’, which they recorded with Shakira on vocals for the World Cup in 2010.   6. MÁDÉ KUTI (Nigeria) - Big Top   Son of Femi Kuti, grandson of Fela Kuti. 30-year-old Mádé Kuti is a multi-instrumentalist, singer and bandleader. He has a stellar band with him, including two energetic dancers, and together they put on a fabulous show. I saw Femi Kuti on the Womad main stage a few years ago, but I have to admit I enjoyed Mádé more. He pays tribute to his father and grandfather (he covers ‘Trouble Sleep Yanga Wake Am’), takes his place amongst the brass section so that other band members can solo, and brings his reluctant wife on stage for a dance (“She hates it when I do that!”).   7. SABINE MCCALLA (USA) - Village Stage   Sabine McCalla is from New Orleans, of Haitian descent, and the sister of Leyla McCalla, who played a great set at Womad 2024. Sabine is accompanied by a guitar player and her laid-back songs are perfect for an early afternoon set in near tropical weather. “Aligators are circling round Lake Pontchartrain”… I love that line from her song ‘Baby please don’t go’.   8. ANNIE AND THE CALDWELLS (USA) - World Stage   More music from the South, this time from Mississippi. Annie Caldwell played Womad a few years ago with the Staples Junior Singers. This time she has brought her family band, with three of her daughters singing. It is a slightly slicker affair and I have to admit I thought the gospel from the older group was even better.   9. MOHAMMED REZA MORTAZAVI (Iran) - Big Top   Mohammed is a percussionist extraordinaire. He plays an entire one hour set on a Persian drum that looks not unlike a bodhrán. It is incredible how many different sounds he gets out of this single instrument, just by using his two hands. His was a late show and by that time I had been up since 5 a.m. so I was struggling against sleep a little.   10. RUST (Lebanon / Syria ) - Sunflower Tent   Rust are Petra from Lebanon and Hany from Syria. They are based in Prague and they call their music electro tarab. I like Petra’s vocals very much, but would have loved to know a bit more about the songs. Hany stands behind a deck with equipment. Many of the songs build and build and end in banging techno, which goes down well at the midnight slot they occupy. Do check out their EP ‘Masaf’.   Disappointment:   Tian Qiyi (UK).  A band of two brothers, sons of Jah Wobble. Their mother is Chinese and there is a strong Chinese influence in their music. I had listened to their album ‘Red Mist’ and had high expectations, but found them disappointing live. The guys were playing and singing live, but everything else was recorded.    Would liked to have seen: Yegor Zabelov, accordion (Belarus) Bitoi, Scandi-folk with electronica (Sweden) Lemoncello (Ireland) Stafford Campbell (UK) Yasmine Hamdan (singer from Soapkills, Lebanon)   Heard good reports from fellow volunteers about: Barrington Levy (reggae/dancehall veteran, Jamaica) Wild Wild Women (hip hop girls from Mumbai, India) Ta Dhom Project (hip hop with percussion, India)   Womad 2027 will be from 23-26 July. www.womad.co.uk for tickets.   Helen.
    • Yeah I've seen the news he's off to Arsenal and do have a lot of musings. As said, it really feels like if tapping up was something people cared about that this could have potential to be seen as such at least, but I also agree that this summer, the board have been too feeble in resisting interest in our best players and need someone better able to tell the big fish to do one like others have. It's particularly galling as it feels that Arsenal showed a lot of disrespect with the use of intermediaries to do dirty work and the first offer that was pretty much what we paid to sign Bruno from Lyon 4 1/2 years ago.   It's definitely grating as well that Bruno seemed to go all in on making out he wanted to be a hero then pretty much used some of Isak's tactics to force an exit. Which means he's probably earned boos when Arsenal come to Tyneside in November. I'm not saying that for grandstanding - players come and go and I have no doubt Arsenal are offering more money and more chances of trophies in the next 2/3 years. But the player hasn't helped himself imo.    But it is what it is. This is a pretty extreme reset and means that every decision as far as incomings goes has to be flawless. Whether I'm expecting it to be so after last year's debacle is of course another matter. At the very least the belated new manager will have a lot to do. In a way I think it's a good thing it won't be Howe trying to replace Bruno though given our record without him was so bad and the tactical choices feel like they may end up leaning into a style that worked with him had Howe stuck around. 
  • Featured Products

  • Hot Topics

  • Latest Tourdates

×
×
  • Create New...