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The National


Guest internetjef

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I'd hesitate to say it's better than Boxer or Alligator, it's a very different kind of album, I'd say. It's a very sad record - almost every song reads like a personal letter to a loved one or to Matt Berninger himself. The lyrics are incredibly raw, confessional and emotive. The production is quite big and the pace is slow. Even Graceless, probably the closest to a Mr November or Abel moment, has been slowed down and smoothed out since the version they recorded for 6 Music last month. It's long, at 55 minutes, and I'd say it's a work of consistent high quality and elegance. I definitely prefer it to High Violet, but it's too early to say on whether I prefer it to Boxer or Alligator - I still can't decide which of those I like best.

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Good post Dog Burger.
I wasn't the biggest fan of the last album. I'd a real feeling of disconnect with High Violet after a while. Alligator especially you can feel the genuine emotion, toil and life experience in the lyrics of the songs. They are a struggling band trying to make it with lots of things to say about life, love etc and that comes across in the music.
High Violet felt more contrived, worked on and less sincere. It's still a great record but without the rawness and shot term inaccessibility of the earlier stuff. I'm not sure if that makes any sense as I know others loved High Violet but for me at least this feels like a real return to why I fell in love with this band. I'll be wrapped up in this album for hours on end.
Edited by Saul Goodman
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I agree with peoples assessments of high violet. I loved it when it came out and played it to death. But now if I want to listen to the national I go to boxer or alligator, and rarely play high violet. Not that I now think it's a bad album, far from it, but the other 2 give me a much better national fix.

sad songs for dirty lovers I find almost unlistenable. I really dislike it.

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