Jump to content

Don't Miss a Beat

Join the UK's most passionate festival community. Keep up with the latest conversations, line-up rumours, and music news.

250,000+ Members

Connect with a massive network of fellow festival-goers.

Lively Discussions

Thousands of active topics on music, campsites, and tips.

Hot Rumours & News

Hear about secret sets and lineup drops before anyone else.

Create Free Account
OR
  • Sign Up!

    Join our friendly community of music lovers and be part of the fun 😎

Copyright - a question for Neil, really.


Yoghurt on a Stick

Recommended Posts

Hello,

I was just wondering if you (Neil) would allow a thread (this one) to be used by creative efesters to time and date stamp some of their original written and artistic ideas, so that they were protected by copyright? I'll grant you that I haven't thought this through, and am shooting directly from the hip with this one, so don't know if there are any pitfalls.

If there weren't pitfalls, then I think it would provide an excellent service to and for efesters.

Thoughts?

PS - I guess people could just email themselves to do this. does anybody know?

Link to comment
Share on other sites

  • Admin

How you prove the date of creation to the satisfaction of the legal world is an area of copyright I've never put any consideration into - so below are just some quick thoughts on it.

I'd say it's not a great idea for 3rd parties to use here, because your proof would be dependent on the continuation of efests. If efests dies then so does your proof.

Also, efestivals has its own rights in law towards copyright for what it publishes and what it publishes includes what you post here - so in theory you'd be giving efestivals some sort of copyright claim over your work (perhaps shared copyright?). I don't have the first idea how that actually works out in legal practice but i think it's something you should look into before using someone else's platform as the basis for copyright proof.

(for anyone else reading this, I can't ever see efestivals actively claiming copyright of what you post here - and anyway, there's various other rules in the mix such as privacy rules and a right to deletion. I'm highlighting a legal aspect towards yog's question).

I think the traditional standard cheap way of doing it is to post a copy of the work to yourself and keep it unopened, tho I could be wrong about that.

Your email suggestion is much the same - although there might be issues with that, because again you'd be using a 3rd party platform which (in theory) has a copy of what it has received and passed on.

Link to comment
Share on other sites

1 hour ago, eFestivals said:

How you prove the date of creation to the satisfaction of the legal world is an area of copyright I've never put any consideration into - so below are just some quick thoughts on it.

I'd say it's not a great idea for 3rd parties to use here, because your proof would be dependent on the continuation of efests. If efests dies then so does your proof.

Also, efestivals has its own rights in law towards copyright for what it publishes and what it publishes includes what you post here - so in theory you'd be giving efestivals some sort of copyright claim over your work (perhaps shared copyright?). I don't have the first idea how that actually works out in legal practice but i think it's something you should look into before using someone else's platform as the basis for copyright proof.

(for anyone else reading this, I can't ever see efestivals actively claiming copyright of what you post here - and anyway, there's various other rules in the mix such as privacy rules and a right to deletion. I'm highlighting a legal aspect towards yog's question).

I think the traditional standard cheap way of doing it is to post a copy of the work to yourself and keep it unopened, tho I could be wrong about that.

Your email suggestion is much the same - although there might be issues with that, because again you'd be using a 3rd party platform which (in theory) has a copy of what it has received and passed on.

Hello Neil,

Thanks ever so much for responding. Much food for thought in your words. I knew that the old way I was told of (back in the early 1980's) was to send a copy of your work to yourself recorded delivery. However, presumably anybody could send themselves umpteen recorded delivery envelopes, and just steam them open, and pop stuff in to them at a later date.

I guess the best bet would be to send them in to a publisher on line for their consideration, so that they have a time / date stamped record of you having done so, as well as your own file copy. I doubt any reputable publishing houses would have the gall to claim some sort of copyright.

Anyway, as I said in my OP, I was really shooting from the hip on this one. I'll look in to it today in greater detail.

Thanks once again.

 

Link to comment
Share on other sites

One of the possible problems with the OP theory is that you are posting under usernames rather than real names. I once attended an artist Q&A session once and they mentioned if you looking to break into the industry don't try to use pen/fake names as there's extra steps that make it more complicated to protect your work and they were stiffed on payments over it.

Link to comment
Share on other sites

1 hour ago, jump said:

One of the possible problems with the OP theory is that you are posting under usernames rather than real names. I once attended an artist Q&A session once and they mentioned if you looking to break into the industry don't try to use pen/fake names as there's extra steps that make it more complicated to protect your work and they were stiffed on payments over it.

Hello jump,

I don't know how I missed that one about real names and user names. Doh!  thanks for the extra info as well.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

Loading...
  • Recently Browsing   0 members

    • No registered users viewing this page.
  • Latest Activity

    • Rumours are it's called The Lost Tour. In the US in September. Ireland in November (so UK+Europe a good bet around November/early December). 
    • Hey guys, is there a group going for any solo y not goers this year?? I couldn’t miss out once I saw the acts but it’s just me and would be great to meet some others:))
    • After deciding to abandon the festival, here's a few of my thoughts (mostly negative tbf).    On the positive side - was it just me or were there a few more urinals than last year? Seemed to help the queues at the loos a bit from what i saw. Plus they had at least had some foresight and had a few more covered areas in the VIP areas.    Now on the negatives.  The weather was admittedly pretty crap but it wasn't apocalyptic. How the actual f**k are bits of the main stage falling off in those conditions?  Then the communication was awful, there's a load of people who left the site because they were told by security guards/other personnel that there would be no more acts on the main stage this evening.  You have an app Primavera, use it! Yes, there's a shitload going on I'm sure but communication with the festivalgoers should be one of the top priorities. You failed.    And I'm not usually somebody who buys into the whole "oh this is hugely unsafe and it's lucky people weren't hurt" narrative, but all the above led to movements of people that were genuinely unsafe.  Evacuating Mordor entirely (again... Why???) and then having a horde of people trying to get in because they thought they were going to Massive Attack was insane.  And given a lot of people basically abandoned ship around 10.30pm the crush at both the exit to the festival and the entrance to the Metro was pretty dangerous.   Conditions happen, most people will get that....but the contingencies have to be better. 
    • You'd think that something like bad weather was in the basics of festival planning. After the shitshow of Madrid, you'd think they'd learnt their lesson, apparently not...
    • Same. Shower and back out in a taxi!
  • Featured Products

  • Hot Topics

  • Latest Tourdates

×
×
  • Create New...