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It’s arguable that the UK counterculture has had at least as big an effect on the development of the festival as the festival has had on the UK counterculture, if not bigger. Examples being the 80’s traveller scene and the late 80’s/early 90’s rave scene. Remember Michael Eavis was adamant that there would never be “dance music” at Glastonbury. The SE corner, Arcadia and Silver Hayes wouldn’t exist without the two.
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By Spiral_Low · Posted
It was rammed for each of those years and they came back and did a 4th one which sold out. Problem was they had less capacity than Download but were outdoing them with both the headliner quality and the support bill, so they were just breaking even and not making a profit, which for a promoter outside of the big 2 wasn't enough. A Knotfest UK would be done by live nation which instantly puts them at an advantage over Sonisphere. If Korn and Limp Bizkit can do Gunnersbury Park with a few support bands then I'm sure Slipknot could do MK Bowl with a decent support bill. Remember money isn't just made through ticket sales either, it's food/drink and merch too, and a 1 day Knotfest UK event would do a hell of alot of merch! -
By Memory Man · Posted
Yeah true. At least they had some truly heroic stuff like the cure and blur 09. Its been a good run and the headliners arent the best part of the festival anyway.
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