It's an interesting debate to have - and one that's happening across all sectors, industries and wider culture.
In the past 10 years, mainly due to social media, I believe Glastonbury has indeed gone from its roots into new realms of social media, influencer and digital celebrity-pop culture.
It has changed its emphasis from one primarily for actual gig-going music fans, or dare I say 'alternative types,' to one of mass, mass appeal fuelled by other factors such as fashion, influencers, social media and flimsy, shallow pop culture.
And has thus seen demand for tickets rocketing with 'ticket day' becoming an increasingly crowded, stressful and competitive space.
I've got a ticket this year, am very grateful and will have a great time - however, I'm well aware of the above and how demand has hugely spiked due to interest well beyond its traditional borders due to the influences and factors I mention above.