Agreed! And I think I'm in the prefer the bus camp. Obviously the original Genosys is leaps ahead in production value, but I feel like the look of it also shaped the type of music you were able to play there and tended to mean darker, moodier sets. With IICON being one of the most impressive stages on the whole site and the Downlow to look at right behind you at Genosys I felt the bus leant itself to anything goes sets and much of my favourite stuff I saw all weekend was out the bus and I'm honestly not sure those sets (SASS b4b, OK Williams) would have worked as well out of the original structure.