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Posts posted by Porcelina
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Even nearly a year later, Frankenstein does very little for me. There's something hollow about it. I think it's the real lack of Bryan's drums that takes the pulse away from the majority of tracks.
Laugh Track meanwhile, is my favourite since TWFM. Coat on a Hook is the only filler.
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Assumed that tour had been advertised as such - would definitely have sold my ticket, as a casual fan.
The Smile at Hammersmith last Sunday were absolutely magnificent - easily the best I've seen Thom & Johnny play together since The Park in 2010. I'm not sure how well it will work in Ally Pally on a Saturday night - the Apollo was the ideal venue for that vibe.
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Will get a much more engaged crowd than 2017 following the various Taylor/Aaron collaborations.
Hopefully will get a 90 minute slot instead of the usual 75.
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Maybe there are some acts who can't be announced until after ticket resale, due to contractual commitments elsewhere?
E.g. Stevie and BST.
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27 minutes ago, 4AssedMonkey said:
Taking that list, why not O-Rod then? Higher placed, arguably more mainstream appeal, higher tempo tunes?
And the fact that Noah Kahn is 2 undermines your argument surely?
I'd love her instead, I spent £125 for the GUTS tour at the O2. Hopefully 2025 instead.
Noah probably could do it. Imagine a sub headline slot would have been more likely if he was available though.
All I'm saying is this forum isn't necessarily hugely representative of where the puck is culturally in 2024. Feels like there's been a pretty big shift in the last 2-3 years - partly tiktok fuelled, partly Gen Z beginning to take the baton.
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Just give the Other Stage opening slot to Feeder. New album out in April and currently touring.
Would fill the field, play the hits and send everyone off happy enough.
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Bruce sounded fine there in 2016, we were quite far back. Coldplay in 2022 was reasonable enough too - certainly no worse than an arena.
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14 hours ago, Quark said:
Slowdive in Brighton on Friday night. I'm not a massive fan (as in I haven't listened to them a huge amount) but saw a bit of them in Woodsies last year so took a punt on a ticket. Glorious stuff.
Strange, was my fourth time seeing them and comfortably the worst. Atmosphere felt really disjointed, but it down to the recent bereavement. Rachel seemed all over the place and the house light situation set a weird tone from the off.
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There is no way that Emily Eavis is booking a sex offender to play.
It would absolutely go against everything the festival has tried to build up with more female representation. The backlash would be unprecedented.
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I assume there's no new album either, and it's just the usual legacy cash grab tour again.
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57 minutes ago, northernangel said:
None of that is fact at all. She was on academy tour Jesus.
She had the single biggest hit of 2021 and could have played 10 nights at Hammersmith. Tickets were impossible to get.
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Olivia may have agreed to sub but also be available to bump up, if someone else fell down. She is too big for it, but perhaps Sunday subbing to Stevie or Coldplay and then saving the headline slot for the first stadium tour would work.
Clearly she was way too big for Other Stage 5pm in 2022 - by rights she should have already been subbing the Pyramid.
The festival going for Stevie over here is so conservative that it's almost detrimental to the brand. The festival transitioned to the millennial crowd extremely well, but there's not very much to get excited about on the rumours if you're at 20 year old at uni - which was when me and my friends all became lifelong customers.
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Do we have any reason to believe this newly-created account, other than goodwill?
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41 minutes ago, Avalon_Fields said:
If it’s true, won’t their first priority be a replacement female headliner? But that may be quite difficult.
Olivia Rodrigo's European tour finishes four days before in Lisbon. Clearly went down extremely well in 2022, and has released one of the best pop records in years since.
Would absolutely smash a Friday Pyramind headline slot whilst bringing Gen Z's interest along for future festivals.
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Loads of free tickets were given away on Tickets For Good (lol) and Blue Lights.
They might have faces in the crowds but the venues don't have the revenue to match it.
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There is one simple thread that runs through all of these things.
Just because a girl/woman wants to talk to you, doesn't mean she wants to sleep with you. Most women do not approach men like most men approach women.
It's that simple. The guy is a creep at best and a serial offender if you take everything the women have said at largely face value (who are anonymous with no reason to lie?). I've seen them 11x since 2007 and will be letting my tickets die for Thursday and hoping most of London does the same.
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You can't replace Win like you can Tom, they're a family band.
So many years of formative memories feel extremely tainted. Again. Just because someone couldn't decide to not be, at best, a persistent, horrible creep.
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There is no way even for band security that tour can happen, let alone the prospect of playing to empty arenas/commercial viability.
They are absolutely done as a band. This is so damning.
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The National was busy back to behind the sound desks at least, far from sold out but felt about 60-70% of the sold out Jamie xx day last year?
In my top three National gigs for sure, and Fleet Foxes sounded just as good as they did on Thursday.
Long live APE, best weekend of the year in London
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Fleet Foxes were spectacular tonight in Islington. I'm looking forward to The National tomorrow (they're my favourite band, seen them 12x) but there's no chance I'm leaving the West stage early.
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4 hours ago, Superscally said:
Justin's on Vanderlyle?!
Yep, it's in the album credits on the physical version https://www.twentyfourbit.com/2010/04/the-national-talk-high-violet-guests-bon-iver-sufjan/
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I thought he came through quite clearly with earbuds in on first listen! Didn't expect a standalone Exile-esque chorus. He's on there more clearly than Vanderlyle anyway.
Live gigs - Who you've seen were they good, bad etc.
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Bleachers in Kingston on Wednesday - blew the bloody roof off. The E-Street Band would be proud.