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One of the most striking aspects of Wood is its size. The site is magnificently tiny, and walking in a straight line for ten minutes is nigh on impossible, in any direction. However, the festival never feels cramped, and due to some superb planning, the amount that the festival manages to squeeze in is superb.
The team have clearly endeavoured to incubate a village fete, and this has been a resounding success. A real community spirit is established through the use of the daily workshop programme, with Tai Chi, Songwriting, Foraging and Circus Skills amongst the multitude of activities on offer. Where other festivals may offer similar programming as an alternative to the music, at Wood it is an integral part, and as essential as the music. The combination of the workshop programme and the compact size of the festival engenders and wonderful spirit, and makes meeting new people easier than ever. For a reviewer more accustomed to the anonymous mega-festivals, Wood is an incredibly refreshing change.
The main musical entertainment on offer at Wood takes place on two stages, the Wood Stage and the Tree Tent, with acts alternating between the two. The benefit of this is that it is theoretically possible to see every band on the bill, although most people tended to be a little more discerning. As well as the two main stages, the festival also features a bicycle-powered tent which catered for DJs, acoustic acts and film screenings.
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Whilst still in its infancy, Wood already stands above many more established festivals on so many levels that it is easy to see why it is already making a name for itself. Given the dedication of the organisers and the goodwill of the local people, the future looks very bright indeed for this tiny gem.
review by: Tommy Jackson
photos by: Tommy Jackson

