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Well numbers will they, won’t they? We heard rumours that last year there were 30% less campers than in the previous year. And without the rumours it was visible that the basic camping was nowhere as packed as before, for example the field next to the slides was almost empty. So yeah, Sziget is a business which seems to struggle to attract acts that’d supposed to attract visitors. How will that help the business? -
I'm 30, I don't have many years left in the festival-age, but instead of thinking about a future dilemma between Sziget tickets and family time I now feel it's going to be something like a natural selection. This lineup feels like brexit, because it makes me feel like I'm not wanted somewhere anymore. It's not even about the line up itself, but the decisions that were probably made during the booking process. It seems proven that Placebo, Rise Against, Two Door Cinema Club and The Offspring were all available, and I'm sure would've been booked 6-7 years ago, but this feels like a different age now, a different direction, and who knows where it takes us in the next few years. I'm still going - as long as my 2-3 friends are going I'm going with them -, we're going to have a fun time, but now, this year, I can see how I'll might feel totally alienated from this festival in the future. -
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Talking about discoveries in the small fonts. I'm enjoying a lot Rita Vian.
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