Jump to content

Headliner predictions 2017


swede
 Share

Recommended Posts

I like to think that I'm quite open minded about music and appreciate a fair bit of hip hop and modern R&B but I can't begin to understand Drake. He is one of many who seem to have grown in popularity by singing without tone or rhythm and yet he'd one of the most popular artists in the world. I genuinely feel like he is the first artist to make me feel old, at the ripe age of 28. 

Link to comment
Share on other sites

  • Replies 8.8k
  • Created
  • Last Reply

Top Posters In This Topic

Definitely too soon for Arctic Monkeys, said they aren't going back into the studio for a while. After the next fallow year for them I'd have thought. I'm still going with Radiohead, Sheeran and pinning my hopes on The Stone Roses finally playing the Pyramid 

Link to comment
Share on other sites

6 hours ago, jparx said:

I was pretty much disregarding that comment about 4 of the headliners from '16 and '17 having headlined before.

How about:

Radiohead

Ed Sheeran

Macca

;)

 

Saw Macca at his Christmas homecoming show at the O2 Academy in Liverpool in 2010. Was mindbogglingly surreal seeing him in a 1200 capacity venue, only thing I can think of that could possibly come close to that show would be catching him on the pyramid. So I'm down with that.

Link to comment
Share on other sites

I wouldn't be against Arctics or Blur again, but I do think bands should wait until they have at least two new albums of material to make it more of an event. Headlining album after album is a bit much. 

By those bands standards, two albums would be quite a gap!

 

I still can't get past the idea of Radiohead / Ed (groan) / Stone Roses for next year. 

Link to comment
Share on other sites

3 hours ago, DropBeat said:

I wouldn't be against Arctics or Blur again, but I do think bands should wait until they have at least two new albums of material to make it more of an event. Headlining album after album is a bit much. 

By those bands standards, two albums would be quite a gap!

 

I still can't get past the idea of Radiohead / Ed (groan) / Stone Roses for next year. 

Has a band ever returned to headline without having two new albums of material?

Closest I can think is Coldplay 2002-2005, who had released two albums, but one of them came out just after their 2002 headline set so obviously they were already touring in support of it.

Both Muse and Coldplay had two new albums between their last appearances and this year.

Link to comment
Share on other sites

4 hours ago, Will-2609 said:

Has a band ever returned to headline without having two new albums of material?

Closest I can think is Coldplay 2002-2005, who had released two albums, but one of them came out just after their 2002 headline set so obviously they were already touring in support of it.

Both Muse and Coldplay had two new albums between their last appearances and this year.

The Who who returned with no new albums, but they don't count for numerous reasons, and REM 1998 > 2003 who'd only released one new album in between performances. in every other 'recent' case i think they've had at least two new albums to play from. but of course Arctics released AM after their Glastonbury performance so could well (and probably will) end up headlining in 2018 if the festival is on that year (i'm assuming a new album won't be out in time for 2017)

Link to comment
Share on other sites

5 hours ago, eastynh said:

Liam Gallagher is making noises again in respect to Oasis. Would rather Oasis than the Stone Roses.

 

The Stone Roses would have to be pretty dire to be as bad as the last two times Oasis played Glastonbury. They were absolutely shockingly bad, only in 1994 where they any good at all.

Link to comment
Share on other sites

4 hours ago, kalifire said:

Absolutely no way Noel would agree to that without HFB securing a prominent position (headline/sub) first.

i think the ship might have sailed on that one. you'd think if both he and the festival were interested it would've happened by now. maybe offers from elsewhere were better or he thought he should be headlining rather than subbing

Link to comment
Share on other sites

One some of the betting websites there are some strange acts you can bet on. This is for "Saturday night headliner". Coming in at 20/1 is... Coldplay. 

Ed Sheeran is the favourite for the Saturday at 4/1. Daft Punk 5/1
Then all of Foos, Guns N Roses, Kasabian at 7/1

Some outsiders you can bet on are Madonna and Calvin Harris (separately, not as a double act...).

I'd be happy with Ed Sheeran, Daft Punk (especially) and Foos from the above.

Link to comment
Share on other sites

2 hours ago, DareToDibble said:

One some of the betting websites there are some strange acts you can bet on. This is for "Saturday night headliner". Coming in at 20/1 is... Coldplay. 

Very silly. They're obviously going to be the Sunday night house band forever more.

Link to comment
Share on other sites

On 22/8/2016 at 9:44 PM, FloorFiller said:

KOL aren't gonna headline the G again - at least not any time soon. maybe somewhere down the line when they have some kind of nostalgic renaissance, but right now i just don't see them ramping up enough excitement for it to make sense

 

not sure I agree with that.

This is the festival that gave us Muse this year, another band slogging away with ever diminishing returns. KoL's last few albums have done better in the UK than Muse's, and arguably better performing singles too.

Plus KoL haven't played the festival since before they became properly commercially big with Sex on Fire etc.

new album just announced yesterday as well, coming out in October.

it wouldn't be a particularly inspired booking, but I certainly wouldn't rule it out.

Link to comment
Share on other sites

7 minutes ago, ghostdancer1 said:

not sure I agree with that.

This is the festival that gave us Muse this year, another band slogging away with ever diminishing returns. KoL's last few albums have done better in the UK than Muse's, and arguably better performing singles too.

Plus KoL haven't played the festival since before they became properly commercially big with Sex on Fire etc.

new album just announced yesterday as well, coming out in October.

it wouldn't be a particularly inspired booking, but I certainly wouldn't rule it out.

Muse are pals with Glastonbury and Glastonbury had a big part in giving them the boost up, as well as being a homegrown act (a-la Coldplay and Arctics). although Glastonbury were one of the first to give KOL the bump up to headliner, they don't seem to have felt the need to book them since. unless this new album has another huge single like Sex on Fire that propels them back to the forefront of music, i just don't see it, especially if the headliners were booked/pencilled in at the same time as this years some time ago. i imagine it'll be TITP (which they haven't done since 2009 surprisingly) or V as per usual

Edited by FloorFiller
Link to comment
Share on other sites

Even if you find their music hollow and shrill - as I do - Muse have a reputation as a live act with all sorts of bells and whistles.  They provide spectacle and even casual punters can usually get on board with all their drums made out of lasers and guitars made out of tinsel.

In contrast, Kings of Leon's live reputation is in the bargain bin.  The Ginsters Pastie of rock'n'roll.

 

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

Loading...
 Share

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Latest Activity

    • We’re after 1 Oxfam spot for my wife, having secured one myself back in Feb.   We’ve been weighing up whether to stick or twist with the cutoff coming up.    Your words sound encouraging though so we might have to stick it out and hammer the Oxfam site for that 1 spot! 
    • This gives us hope! We're lucky enough to work on our laptops all day so this is all possible!
    • So long as you requested your bus via the transport survey before April 15th, you're all good - there haven't been any confirmation emails yet 
    • Did some digging online. Well, you did ask.   There isn't much there that's very recent. An application for planning permission for "use of land for siting of up to 16 low impact residential shelters within a woodland garden setting and associated operational development comprising car park, telephone box, and children's play structure" was rejected in 1999 - though apparently there was a "legal breakthrough" in 2001. This is from 1995:   Clearly it's still in use. A resident called Theo Simon stood for election to the local council (for the Green Party) in 2017. His band, Seize the Day, seems to play Glastonbury every year (at Toad Hall, Small World, sometimes other sets elsewhere). This is a video of their 2019 set:     There's an interview with him, probably filmed at Kings Hill, here. He sounds pretty cool if you ask me.   https://www.futurelearn.com/info/courses/why-religion-matters/0/steps/73899   This is from a university thesis submitted in 1999:   The King’s Hill Collective The King’s Hill Collective can be seen as solution to increasing pressures of living on the road for Travellers who were bringing up children and as a solution to (and rejection of) mainstream consumerist society by non Travellers many of whom were originally city dwellers. Nevertheless because many of the members had direct travelling experience, this community provided an example of one extreme in a continuum between those Travellers for whom the tag ‘New Age’ is a complete irrelevance and those for whom it is at least understandable if not desirable. This group is on the ‘New Age’, ecologically aware, ideologically ‘hippie’ and ‘sorted’ end of the New Age Traveller continuum discussed in the previous chapter. The site, which overlooks Pilton farm (the site of the Glastonbury Festival), is slowly maturing now with numerous trees, vegetables and a fully functioning water bore hole which supplies the site with drinking water. Water is extracted on a weekly basis using an old petrol engine and pump. The water, which is filtered by a series of sand traps, is inspected on an annual basis. The collective is concerned to demonstrate its willingness to 243adhere to regulations were this is possible and not contrary to its collective ideology. There are 16 plots, each at some stage of the development of the site, having a bender.   The benders are almost exclusively constructed of light green Tarpaulin over a hazel wood matrix. Stainless steel flexi-vents lead from stoves in the benders. These act as chimneys supported by a single branch driven into the earth. The stoves are usually home-made conversions of gas cylinders which have been cut and welded into shape although there was an solid fuel Rayburn installed in one bender during the study period. Inside the benders bedding is arranged on wooden pallets or platforms and there is often an additional gas stove for cooking. Water is supplied either directly from the holding tank or stored in water barrels. Lighting is almost exclusively by candles or ‘hurricane lamps’. Twelve volt batteries and in one case a wind generator supplies electricity for radios and in one case a small black and white television. Some of the more established benders had a variety of trees and shrubs around the canvass construction including apple, pear and fig trees as well as a variety of fruits.   The collective is serviced by a pay telephone located in an old red telephone box. Its position, in the middle of a field, is as incongruous as the lamp post in C.S. Lewis’s Narnia books and is in a way reminiscent of the TARDIS of Doctor Who, adding to the slightly surreal or magical atmosphere of the place. Inside a small domestic pay phone is installed and managed by one of the community.   At the centre of the site is a clearing of grass that acts as a communal area surrounded by a small circular mound inside of which runs a circular ditch in the fashion of a place of worship. In the centre of the circle is a small collection of sea stones collected from a nearby shoreline. There are four gaps in the mound representing the solstices and equinoxes, which correspond to the cardinal points of the compass. Each section of the mound was constructed during the period of the year that it represents. There are symbols representing Beltane and other significant calendar dates placed appropriately on the circle. The King’s Hill site owes its existence to Chris Black, a man who was broadly sympathetic to alternative lifestyles and provided initial financial support to the project. Chris Black purchased the field and ‘loaned’ sixteen plots to a number of Travellers and bender dwellers. The newly formed community developed a ‘constitution’ and organised a system whereby the loan of the plots was paid back over a period of two years through weekly contributions to a central fund. Thus after two years the land belonged to sixteen stakeholders.
    • K.O.G. were one of my favourite acts at EOTR a couple of years ago. Just a joyful afrobeat danceathon
  • Featured Products

  • Hot Topics

  • Latest Tourdates

×
×
  • Create New...